African newspapers have been the subject of scrutiny from a variety of disciplinary perspectives. However, comparably little attention has been paid to the early visual archives produced by these presses. This essay mines the pages of West African Pilot and other newspapers to explore the genesis of the practice and profession of press photography in Lagos, Nigeria. Over the course of three defining historical moments, press photographs became a record and consequence of the ways that professional, legal, and political contours of visual freedoms were defined in an increasingly anti-colonial city and nation-state.