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Compared with [J. S. Bach’s] six sonatas for violin without accompaniment these violoncello solos are light and unpretending. Nevertheless, they are interesting,
The post J. S. Bach’s Enigmatic Suites for Solo Cello first appeared on Fifteen Eighty Four | Cambridge University Press....
In the twelfth through fourteenth centuries, at the height of the cult of the Virgin Mary, a rare and rich conflux of past and present events, both authentic
The post Variations on a Marian Theme in Late Medieval Orvieto first appeared on Fifteen Eighty Four | Cambridge University Press....
During the nineteenth century Western art music advanced towards a peak of sonorous magnificence, perhaps reached in 1848 at Paris when Hector Berlioz conducted
The post The Guitar in Victorian England first appeared on Fifteen Eighty Four | Cambridge University Press....
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J. S. Bach’s Enigmatic Suites for Solo Cello
Variations on a Marian Theme in Late Medieval Orvieto
The Guitar in Victorian England