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What sort of thing are the narratives of the life of Jesus, literarily speaking? (History? Biography? Fiction? Myth?) And what bearing does their genre have on the manner of interpretation proper to them? This chapter attends to Origen’s account of the Gospels’ genre, literary precedents, and relationship to other forms of ancient literature in order to establish why he believes the Gospels cannot be read as transparently historical narratives. Here, I propose that the kind of narratives Origen believes the Evangelists compose is directly comparable to the stories one finds throughout the scriptures of Israel. Furthermore, Origen also relates the Gospels’ literary similarity to Jewish biblical narrative to the way they both share a similarly complex relationship to facticity. The Gospels, in sum, all narrate the deeds, sufferings, and words of Jesus “under the form of history”; these historical narratives are of a mixed character, interweaving things that happened with things that didn’t and even couldn’t, with an eye toward presenting the events recorded to have happened to Jesus figuratively.
This chapter is a description and analysis of the modern and postmodern periods and how they influenced theologians from a variety of traditions as they wrestled anew with the doctrine of Christ. In characterizing modernity as an era which celebrates universal reason and human progress, the author examines the ways in which modern theologians both chafed against and conformed to these insights as they developed their ideas about the person and work of Christ. Likewise, the author engages postmodernity as a disavowal of universal reason and progress, and thereby examines the manner in which these concepts were both rejected and embraced by various theologians as they sought to answer Christ’s question: “Who do you say I am?” within a postmodern era.
Corporate law, like all law, has a context; indeed, it has many contexts. To understand corporate law today, we need to appreciate the forces—social, political, economic, global and local— which shape that law. Modern corporations and contemporary Australian corporate law should be understood as a product of, and a compromise between, various social, economic and legal ideas and philosophies. This is the focus of the first two chapters of this book.
In this chapter, we ask the reader to temporarily postpone the quest for a more detailed explanation of the legal concepts that are introduced. We will come back to examine these concepts in detail elsewhere in the book.
Pyotr Tchaikovsky’s early opera Oprichnik is overdue for rediscovery as one of the composer’s most overt forays into the queer themes that critics and scholars have long appreciated in his mature works. Oprichnik features the composer’s most extensive and provocative employment of travesti in its depiction of a historical figure mostly remembered for his rumoured sexual relationship with tsar Ivan IV. This paper takes a detailed look into this and other queer features of the opera within their cultural, historical and biographical contexts. These contexts, including the development of trouser roles in Russian opera, transformations in public discourse on sexuality and gender, and Tchaikovsky’s relationship with his pupil Vladimir Shilovsky, help bring into focus the special appeal the sixteenth-century Muscovy of Ivan the Terrible and his oprichniki had as a topos for a Russian artist experimenting in the artistic depiction of sexual and gender variance.
According to the dominant narrative in international humanitarian law, the 1949 Geneva Convention on Civilians is part of the discipline’s humanitarian progress, driven by the International Committee of the Red Cross, in response to atrocities committed during World War II. This paper argues that historical research enables a more nuanced historical account which challenges when, how and by whom the protection of civilians was developed. It demonstrates that the Convention’s protection regime was shaped by the efforts of a variety of non-state actors during the inter-war years. In particular, it focuses on attempts by the International Committee of the Red Cross, International Law Association and International Committee of Military Medicine and Pharmacy to advance the law independently and in cooperation in relation to ‘enemy civilians’ and safety zones after World War I. However, it suggests that these actors were to some extent inhibited by conceptual limitations and self-restraint, which ultimately led to some of the weaknesses in the protection regime under the 1949 ‘Civilian Convention’. The paper thus reveals the struggle over the conceptualisation of individuals who are today considered civilians in the inter-war years which is embedded in the text of the adopted treaty.
In his chapter, Luke Gibbons examines artists and writers who take up the subject of the “great scar” of the Civil War, and in their work he finds silence, misdirection, and the kind of temporal indeterminacies that are characteristic of so much revivalist cultural production. By examining literary and cinematic works by Louis D’Alton, Liam O’Flaherty, John Ford, and Dorothy McCardle, Gibbons argues that temporal discontinuity has a positive role to play by reactivating that which history has deactivated. Civil War literature invites the reader to go beyond the surface realism of the text in a way that provides an opening to the real, which in Lacanian terms is foreclosed and mapped over by imaginary constructs. Gibbons’s consideration of Irish literature and film strongly suggests an alternative to conventional realist accounts beholden to historical causality, a way of reading the temporal discontinuity in way that offers a fresh perspective on the trauma of the Civil War.
How can populist authoritarian incumbents justify remaining in power when the golden age they promised remains unrealized? We argue that audiovisual products such as videos are particularly suited to enlivening the histories that so many populists evoke in seeking to legitimize their rule. Political science’s traditional focus on speech-based legitimation, however, leaves audiovisual tools largely overlooked. The few studies that do engage these tools test for audience effects, but the content itself and the political strategies behind its curation and dissemination remain undertheorized. By adding an audiovisual lens to studies of authoritarian legitimation, we identify a regime durability strategy we term selective revivification. We specify the cognitive and affective characteristics of videos that quickly communicate information-dense, emotionally evocative messages, arguing that they engagingly distill specific historical elements to portray incumbent rule as not just legitimate but also necessary. In advancing our argument, we construct an original dataset of all existing narration-based YouTube videos shared by six regime institutions in Turkey from the establishment of YouTube in 2005 to 2022 (n = 134). We use quantitative analysis to identify when video usage emerges as a strategy, as well as patterns of dissemination and content elements. We then use intertextual analysis to extract common historical themes and production techniques. The audiovisual tools we specify and the selective revivification strategy they enable fill gaps in studies of authoritarian legitimation while adding to political scientists’ toolkits for wider inquiry.
By considering real-life cases of epistemic reparations (Lackey 2022), such as the Truth and Reconciliation Commissions in Canada, I identify and characterize a form of epistemic injustice that I call “collective amnesia.” I distinguish this phenomenon from other recognized forms of epistemic injustice and argue that collective amnesia specifically leads to primary and secondary epistemic harms in the form of distorted representations of a community’s past, preventing an even broader epistemic community from gaining adequate knowledge of its past and present identities. More precisely, I argue that collective amnesia arises as an interplay of negative hermeneutical injustices, whereby conceptual tools are lacking (Fricker, 2007), and “positive” hermeneutical injustices, whereby the positive presence of distorting and oppressive concepts defeats or prevents the application of more adequate concepts or narratives (Falbo, 2022). In addition, I address and respond to four objections. The first two objections allow me to identify two necessary conditions under which instances of collective forgetting are morally relevant and thus may count as instances of collective amnesia as an epistemic injustice: they must be partly agential, whether on the part of individuals or structures, and due to hermeneutical marginalization. The last two objections enable me to precisely define the scope of this epistemic injustice.
It has long been acknowledged that the past can be a weapon. In Palestine, reports of the targeting of archaeological sites, museums, archives, and other locations of cultural heritage by Tel Aviv have been increasing drastically since 7 October 2023 (although they took place before). This article seeks to contextualise these destructions of heritage within a larger project of controlling history and understands this project to be a cornerstone of European colonialism, comparing it with Britain’s colonial control over how ancient sites are interpreted in what is now Zimbabwe. It asks what the role of the historian is in a time of genocide and revisits what it means to do “decolonial” work while history is being weaponised for colonial occupation. And it requires those of us who are interested in the past (and especially the ancient past) to reckon with our position in the belly of the beast.
In this chapter, we offer an overview of the rich history of research on careers and career counseling. We review theories throughout history starting from the late nineteenth century to modern theories of work. We also discuss changes in theories of careers and vocation in light of technology and globalization in the twenty-first century. This chapter provides the foundational overview of the scholarly literature, thus setting the stage for the narratives in the bulk of the book.
Polybius claims that equality to speak in public (ἰσηγορία) and freedom of speech (παρρησία) are the fulcrum of a democracy (2.38.6) and hence the most beautiful of political values (6.57.9). But his reasons for valuing them so dearly have remained obscure. This article argues that ἰσηγορία and παρρησία in Polybius maximize the role of persuasion—instead of sheer force—in the polity; that they favour rational decision-making; and that they keep excessive ambition at bay. Those important political goods disappear when the citizens who enjoy ἰσηγορία and παρρησία become tepid in their commitment to the equal right to speak freely. The article argues that, for Polybius, that commitment fades when the citizens take ἰσηγορία and παρρησία for granted, mostly on account of habit (τὸ σύνηθϵς, 6.9.5). Polybius sets himself the task of dishabituating his readers from ἰσηγορία and παρρησία, by showing that they are always fragile.
The work of the first four chapters demonstrates that Nietzsche’s genealogical accounts can liberate us from our moral prejudices by exposing and bringing to light: that our experience is ordered by evaluative templates; how one framework came to subdue other alternatives; why morality enjoyed its factual success; and why it still holds a very tight grip on us. The work of Chapter 5 is to substantiate these conclusions. I achieve this end by way of my reading of “the psychological type of the redeemer,” which shows the links between On the Genealogy of Morality and The Anti-Christ. After clarifying what the type is, I argue that, thus understood, it enables us to notice that Nietzsche uses genealogical methods beyond 1887 and to better appreciate the central roles that feelings of shame and powerlessness, as well as longings for efficacy, play in conceptual reevaluations. Although this reading does not represent a common interpretive strategy, I show that it is one that Nietzsche himself recommends.
History is challenging for learners as it concerns something that no longer exists – the past. Yet, as Christopher Portal reminds us, ‘in another sense, of course, the past is not dead at all; it exists through the ways in which we understand the past, and in the personal, cultural and intellectual inheritance we each have’. Our connections with the past can vary from engaging with family members’ recollections, photographs and memorabilia to viewing historical dramas on television and mobile devices. Reading historical fiction, visiting museums or observing a public commemoration such as an Anzac Day march or a National Sorry Day event can also prompt interest in finding out more about the past. This chapter draws from research to consider how teaching and learning in History in the sub-strand of the Australian Curriculum: HASS F–6 v9.0 can enable young people to investigate the traces of the past in authentic and meaningful ways. Making sense of the past, and learning how to think critically about it, empowers young people to relate history to their lives in the 21st century and better prepares them to be informed, confident and active citizens.
This chapter explores the history of sound system and emcee culture. Originating in Jamaica, during the 1950s, the sound system has spawned numerous multi-billion dollar generating genres, including electronic dance music and hip-hop. The chapter outlines the contribution that figures such as Clement Dodd, Duke Reid, and Prince Buster made to the emergence of dancehall culture and the innovations of Count Machuki and U-Roy to the development of emceeing. It goes on to examine the role that sound system culture played in the birth of hip-hop, and the movement of artists from Jamaica, the United States and the UK, across the Atlantic, which has produced an outernational sound. The chapter reveals the ongoing significance of dubplates to garage music, clashing in grime, and riddims throughout the history of hip-hop culture. The chapter concludes with a consideration of the influence of the sound system on popular music culture across the globe.
Having established that evaluative systems – such as Judeo-Christian morality, currently the predominant value system in the West – order our lives, in this chapter I examine their lineage. Given that our value systems are the products of dynamic struggles for superiority, I argue that their descent is traceable along historical and sociopolitical lines. Attending to these rather messy agonal processes, the descent of our value systems is accounted for without the need to appeal, as some have, to context-transcendent human types, or certain configurations of the drives. Finally, I close with some considerations on how conceptualizing the descent in this way provides further contours to our understanding of the method of genealogical investigation.
A sense of curiosity and active citizenship can be nurtured in children from a young age. Through a range of immersive and place-based experiences, children can start to make sense of the world around them and demonstrate their social agency. The Australian Curriculum: History focuses on developing an awareness of key features of family and local history and community heritage from Foundation to Year 2. Its key purpose is to make early historical inquiry meaningful, memorable, creative and exploratory. Civics and Citizenship education can help to provide opportunities for children to express their ideas and understand their communities. A dynamic, multiperspectival and affective understanding of the past, and its relationship with the present, is essential in a democracy.
History for German idealism is the expression of practical reason, the process of gradually bringing about the accord of subject and object. In Hegel’s conception of the history of freedom, different configurations of ethical life embody changing assessments of the self and the world, and contain essential contradictions whose resolution is the key to progress towards new and more complex forms. The dialectic of the will in Hegel’s Philosophy of Right is an exposition of the idea of spontaneity, endowing itself with concrete content as it moves through its dimensions of universality, particularity, and singularity. Hegel demonstrates that modern institutions are not mere limitations, but legitimate conditions for the exercise of freedom. The rationality of the real, however, does not preclude a critical engagement. Close examination of current relations and institutions as exemplifying ideas of freedom reveals nodal points where practical interventions are likely to be fruitful in effecting change. An implicit, historicised ‘ought’ in Hegel, arising from his reworking of the logical categories, marks his place within post-Kantian perfectionism.
The Introduction introduces the central research questions of the study and summarizes the main arguments. It also lays out the research design and discusses the key concepts and how it measures them. Finally, it provides summaries of all of the chapters in the book.
Chapter 2 uses an original database on historical elections in South America to explore when and where democracy first emerged in the region. Scholars traditionally portrayed nineteenth-century elections in Latin America as farces, but in recent years historians have challenged this view. This chapter shows that many South American elections in the nineteenth century involved significant participation and competition, and a few were even free and fair. Nevertheless, authoritarian rule predominated. Most elections were non-competitive, numerous restrictions on the franchise existed, and voter turnout tended to be low in comparison to Europe and the United States. Moreover, the few democratic episodes in the nineteenth century proved to be quite brief, as the freely elected presidents were either overthrown or subverted democracy to perpetuate themselves or their allies in power. However, in the first three decades of the twentieth century, a great divide occurred. A few South American countries, namely Argentina, Chile, Colombia, and Uruguay, established democratic regimes that lasted a dozen years or more. By contrast, authoritarian rule deepened in the other six countries of the region
Part II focuses on cases related to tobacco control. Law, rights talk, and litigation have become regular features of tobacco control movements and public health campaigns aimed at reducing tobacco consumption worldwide, including in Japan and Korea. But are they enough to overcome the resource and information disadvantages tobacco control activists face when taking on the industry? Chapter 6 provides historical background on the tobacco epidemic, the multifaceted reasons the tobacco industry remains politically influential in both countries, the Framework Convention on Tobacco Control, and recent tobacco control measures—including taxation and pricing, limits on advertising, and new responses to electronic nicotine delivery systems.