Cambridge Companions are a series of authoritative guides, written by leading experts, offering lively, accessible introductions to major writers, artists, philosophers, topics, and periods.
Cambridge Companions are a series of authoritative guides, written by leading experts, offering lively, accessible introductions to major writers, artists, philosophers, topics, and periods.
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The Cambridge Companion to the Byzantine Church explores the intricate dimensions of the Church in Byzantium-its emergence, theology, art, liturgy and histories-and its afterlife, in captivity and in the modern world. Thirty leading theologians and historians of eastern Rome examine how people from Greece to Russia lived out their faith in liturgies, veneration of the saints, and other dimensions of church life, including its iconic art and architecture. The authors provide a rich overview and insights from the latest scholarship on the lives and beliefs of emperors and subjects across the Byzantine empire. The volume thereby fills a prominent gap in current offerings on the development and continuing impacts of the Byzantine church from the fourth to fifteenth centuries, and will serve as a valuable resource for scholars, a companion for students and an introduction for the wider community to this fascinating chapter in the history of Christianity.
Active in Chicago during the first half of the twentieth century, Florence B. Price was an African American composer, pianist, organist and music teacher, and a central figure in the first generation of Black composers of art music in the US. Price's aesthetic engaged with Black music of the enslavement period, and her gendered racial identity deserves careful consideration, while her geography and era distinguish her trajectory from those of her European and Anglo-American counterparts. This Companion introduces readers to archives and sources on Price, the style and genre of her music, and her artistic communities, and reception. It contextualizes Price's music and life in relation to the sociocultural climate of her time, the Black classical scene to which she belonged, and the compositional aesthetics that informed her craft. It offers an alternative view of music's capacity to uplift and amplify underrepresented voices.
Electronic dance music is increasingly the focus of a multitude of academic research projects around the world but has been drastically under-represented in accessible core published material. This innovative scholarly collection provides an important 'first stop' for researchers and students wishing to work in this area. It examines the key features of numerous electronic dance music scenes and (sub)genres alongside discussions of the musical, social and aesthetic experiences of participants to consider how these musical practices create purpose and cultural significance for millions around the world. At the same time, it introduces diverse theoretical approaches to the understanding of electronic dance music cultures and addresses the issues and debates in electronic dance music culture studies. Adopting an interdisciplinary approach drawn from both music and cultural studies – including music aesthetics, technologies, venues, and performativity – from a broad geographical perspective, the volume sheds fresh light on electronic dance music cultures.
This is the first and only comprehensive introductory study of Walter Pater, novelist, short story writer, literary critic, and philosopher. One of the late nineteenth century's most important and least understood writers, Pater evinced a new mode of hedonism that presented a fundamental challenge to the prevailing moral and social norms of his contemporaries, responding to post-Darwinian sensibility, waning faith, and new philosophies in ethics and epistemology. In his diverse and daring writings, Pater spoke for a generation that encompassed aestheticism, decadence and the emergence of a queer literary canon, including writers such as Oscar Wilde, Vernon Lee, and Michael Field. His defining influence continued to be felt long after his rise to fame and notoriety by such major writers such as T. S. Eliot, James Joyce, and Virginia Woolf. Featuring exceptional detail and thematic breadth of coverage, this Companion accessibly introduces Pater's main works and demonstrates his ongoing significance.
Geoffrey Jones and Sabine Pitteloud present the latest research on the global history of multinationals and their impact on society and the environment. Bringing together leading international scholars, these essays survey key themes in our relationship with multinationals, from taxation and corruption to gender and the climate. Though often associated with large corporations like Apple or Nestlé, the contributors highlight the remarkable diversity in multinational strategies and organizational structures. They challenge the idea of an inescapable rise of multinationals by looking beyond the experience of Western countries and considering the effects of dramatic political shifts. Multinationals have often acted opportunistically, with their resilience carrying social costs through the exploitation of weak regulations, corrupt governments, inequalities, poor human rights, and environmental harm. This is an essential introduction to the historical role of multinationals for scholars and students as well as for policymakers and stakeholders navigating today's economic landscape.
This Companion presents an authoritative study of British utopian literature and culture in the twentieth and twenty-first centuries. Written by leading scholars, it offers a wide-ranging account of utopian thinking in novels, plays, films, TV, fanzines, and poetry. Scholars and students interested in the utopian imagination will find nuanced analyses of British texts, situated within their materialist contexts. With a particular focus on countercultural and subcultural narratives, the book explores how British utopian visions of better societies offer a forceful critique of contemporary inequities such as racism, gender-based violence, class politics, and ecological harm. Blending the utopian with other genres, including the dystopia, the post-apocalypse, and ecocatastrophe narratives, the texts discussed reveal powerful images of utopian possibility. These works offer us vital imaginative and critical resources at a time of ongoing political, economic, and social crises.
The twenty-first century has witnessed a surge of scholarly interest in the French art song, or mélodie, with a flood of new books, articles, and editions. This Companion draws on the best of this new research, with chapters by world-renowned scholars and performers examining French art song through the practicality of performance, both pianistic and vocal. The book surveys the repertory chronologically from the 1820s into the 1950s, covering all the central composers (Berlioz, Gounod, Fauré, Debussy, Duparc, Chausson, Ravel, Poulenc, Messiaen, and many more). It includes chapters on the role of women in the creation, performance, and diffusion of French song; the analysis of French prosody and poetic forms; the position of the mélodie in French literary history; and the interpretation of mélodie in performance. Scholars, students, performers, and music lovers will find thorough and up-to-date resources to enable them to explore this crucial yet understudied song repertory.
A groundbreaking critical introduction to folk music and song focused on questions of identity, community, representation, politics, and popular culture. Written by a distinguished international team of authors, this Companion is an indispensable resource for rethinking the confluence of sound, heritage, and identity in the twenty-first century. A unique addition to the literature, it highlights the fundamentally hybrid and (post)colonial dynamics that have shaped people's cultures around the globe, from the Appalachian mountains to the Indian subcontinent. It provides students with new critical paradigms essential for understanding how and why certain musical traditions have been characterised as 'folk'-and what continues to inspire folkloric imaginaries today. The twenty specially commissioned chapters explore folk music from a variety of perspectives including ethnography, revivalism, migration, race, class, gender, protest, and the public sphere. Among these chapters are four 'Artist Voices' by world-renowned performers Peggy Seeger, Angeline Morrison, Jon Boden, and Yale Strom.
This groundbreaking Companion explores how Counter-Reformation sanctity reshaped religious identities, sacred traditions, and devotional practices that transformed Catholicism into the first global religion. Offering a fresh perspective on early modern Catholicism, it moves beyond traditional debates about Reformation and Reform and presents sanctity as the defining lens through which to view the period's transformative changes. By examining the lives, representations, and global impact of saints, the Companion demonstrates how sanctity countered the Protestant challenge and also transformed the very fabric of Catholicism between 1500 and 1750. Organized into four thematic sections – models of sanctity, the creation and contestation of sanctity, the representation of saints, and everyday interactions with saints – the volume also provides insight into the role of holiness during this pivotal period in Church history. Connecting history, theology, art history, and material culture, this interdisciplinary Companion serves as an indispensable resource for scholars and students seeking a comprehensive understanding of early modern Catholicism's influence on European and global history.
For over a hundred years scholars have written about late medieval kingship, and a vast body of published work now exists on the subject. However, in all this rich coverage, no accessible introduction to the subject exists. The Cambridge Companion to Late Medieval Kingship addresses this need by bringing together, within a single volume, a series of themed chapters which consider key aspects of the workings of the English monarchy between 1200 and 1500. Featuring leading experts in the field, each chapter provides a concise and accessible guide, offering insights, synthesis and explanation to help readers understand not only how kings ruled, but also what made their rule more – or less – effective. By adopting a holistic approach to kingship, the contributors also consider how kingship impacted on the king's subjects, thereby illuminating the complex interplay of cooperation and conflict that shaped both the monarchy and the wider polity in late medieval England.
Matthew Paris is one of the most remarkable and renowned figures in the cultural history of medieval England. A career-monk at the influential Benedictine abbey of St Albans, Paris' creative work bears witness to the rich intellectual, artistic, social and political environment of the monasteries and their lasting impact on the wider world. His compelling accounts of recent history and the lives of legendary saints and churchmen are a distinctive and valuable guide to the emergence of the English kingdom and its place in European Christendom. His accomplished and vivid artwork brings into focus both the craft skill and visual sensibility stimulated by the medieval Church. This systematic survey, the first published for almost seventy years, brings together expert scholarship and offers fresh, interdisciplinary perspectives on Paris', his life's work as writer, artist, cartographer and maker of manuscript books, and its enduring legacy.
The Nazi-Soviet War was the largest and most brutal theatre of the Second World War, fought between two of the most ruthless states ever to exist. Bringing together twenty-four of the most accomplished authors in both German and Soviet history, this Cambridge Companion provides the most authoritative, and yet highly accessible, guide to the conflict. Each chapter examines a key aspect of the war from war planning, the opposing forces and the campaigns to criminality and occupation, alliances, the home fronts and postwar legacies and myth-making. The authors demonstrate that the Nazi-Soviet war was both a conventional clash of arms in which millions of soldiers fought in titanic battles, but also a non-conventional war in which soldiers and security forces murdered countless non-combatants. It was a war of resources, industry, mobilisation, administration, and popular support, with implications that still drive European security debates today.
The volume outlines modern British literature's relation to global empire from the 16th century to the present. Spanning the interactions between Britain, Europe, and the world outside, in Asia, Africa, Australasia, North America, and the Caribbean, it suggests the centrality of colonial-capitalist empire and global exchanges in the development of major genres of literary fiction, poetry, drama, and non-fiction. Illuminating the vital role of categories such as race, class, gender, religion, commerce, war, slavery, resistance, and decolonization, the twenty-one chapters of the book chart major aspects of British literature and empire. In rigorous yet accessible prose, an international team of experts provides an updated account of earlier and latest scholarship. Suitable for a general readership and academics in the field, the Companion will aid readers in familiarizing with Britain's imperial past and its continuing relevance for the present.
Throughout the long history of Christianity, Christians have celebrated their faith in a myriad of ways. This Companion offers new insights into the theological depths of the liturgical mysteries that are the essence of Christian worship services, rituals, and sacraments. It investigates how these mysteries order time and space, and how they permeate the life of the Churches. The volume explores how Christian liturgy, as a corporeal and communal set of activities, has had a profound impact on spiritualities, preaching, pastoral engagement, and ecumenical relations, as well as encounters with religious others. Written by an international team of scholars, it also explores the intrinsic connections between liturgy and the arts, and why liturgy matters theologically. Ultimately, The Cambridge Companion to Christian Liturgy demonstrates the inextricable link between theology and liturgy and provides incentives for critical and constructive reflections about the relevance of liturgy in today's world.
The idea that God became incarnate as a human is a doctrine at the core of historic Christianity. Defined by the Great Councils and Creeds of the Christian church, the study of this doctrine, christology, has been a focus of inquiry for two millennia. This Companion reflects the most recent paths of inquiry for our understanding of christology. Covering Biblical and other sources, it explores the reception of christology over the course of Christianity's history, from the early patristic ages to postmodernity, as well Jewish and Islamic treatments of the christological claims. The volume also considers the recent contributions of systematic theology, metaphysics, and political theology to the study of christology. It demonstrates how the conceptual substance of christological doctrine interacts with a range of areas on the intellectual landscape. Designed for use by students and experts, The Cambridge Companion to Christology also points to the new and dynamic directions in scholarship on this topic.