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Sarah R. Cohen, Enlightened Animals in Eighteenth-Century Art: Sensation, Matter, and Knowledge, New York, Bloomsbury, 2021, 256 p.
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Sarah R. Cohen, Enlightened Animals in Eighteenth-Century Art: Sensation, Matter, and Knowledge, New York, Bloomsbury, 2021, 256 p.
Published online by Cambridge University Press: 22 August 2025
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- Animaux et animalités (comptes rendus)
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- © Éditions de l’EHESS
References
1. Lorraine Daston et Gregg Mitman (dir.), Thinking with Animals: New Perspectives on Anthropomorphism, New York, Columbia University Press, 2005, p. 5.
2. Diana Donald, Picturing Animals in Britain, 1750-1850, New Haven/Londres, Yale University Press, 2007.
3. Emma Gilby, Descartes and the Non-Human, Cambridge, Cambridge University Press, 2025.
4. Plusieurs travaux ont souligné l’importance des descriptions visuelles, compilées dans des manuscrits et des imprimés, pour la production de savoirs naturalistes. Concernant la représentation animale, on peut notamment citer les travaux de Florike Egmond (Eye for Detail: Images of Plants and Animals in Art and Science, 1500-1630, Londres, Reaktion Books, 2017), ou encore la thèse de Didi van Trijp sur l’illustration naturaliste de poissons (« Captured on Paper: Fish Books, Natural History and Questions of Demarcation in Eighteenth-Century Europe [ca. 1680-1820] », thèse de doctorat, université de Leyde, 2021).
5. Jane Bennett, Vibrant Matter: A Political Ecology of Things, Durham/Londres, Duke University Press, 2010.
6. Peter Singer, The Expanding Circle: Ethics, Evolution, and Moral Progress and Sociobiology, Oxford, Oxford University Press, 1981.
7. Erin Manning, « Artfulness », in R. A. Grusin (dir.), The Nonhuman Turn, Minneapolis, University of Minnesota Press, 2015, p. 45-79.