Contents

pp v-vi

List of Illustrations

pp vii-xix

Acknowledgements

pp xx-xx

Introduction

pp 1-20

Part I - Perspectives

pp 21-22

1 - ‘The happiest vehicles of antiquarian knowledge’: The Visual Arts and Romantic Antiquarianism

pp 23-39

2 - The Gothic Aesthetic: Word and Image

pp 40-57

3 - Aesthetic Landscapes: Travel and Tourism

pp 58-76

4 - Visualising the Indigenous Pacific

pp 77-94

5 - Elite and Popular Orientalisms

pp 95-110

Part II - Exhibition, Commerce and Culture

pp 111-112

6 - Collecting and the Country House, 1750–1840

pp 113-129

7 - Public Improvement as ‘National Ornament’: Commerce, Culture and Patriotism in London and Edinburgh

pp 130-145

8 - Commemoration, Domestic Display and the Decorative Arts: Romantic Nelsonia

pp 146-164

9 - Building(s) for Art: The Evolution of Public Art Galleries in England, 1780–1840

pp 165-183

10 - Exhibitions Culture, Consumerism and the Romantic Artist

pp 184-200

11 - Portraiture: Commerce and Celebrity

pp 201-219

12 - Convergence and Dissonance: Romantic Theatre and the Visual Arts

pp 220-236

13 - Sound and Vision in Blake’s London

pp 237-254

14 - Taken By Storm: Multisensory Learning in the Lecture Room

pp 255-271

15 - Romanticism, ‘Real’ Illusions and the Transformation of Experience in Modernity

pp 272-292

Part III - Circulations: Print Culture and the Arts

pp 293-294

16 - Romantic Art and the Novel

pp 295-312

17 - Mired in Print: Romantic Writers and Caricature

pp 313-334

18 - ‘A Point to Aim at in a Morning’s Walk’: Encounters at the Print Shop

pp 335-355

19 - Illustrated Poetry in the Romantic Period

pp 356-373

20 - Fashioning the Female Artist: Allegory and Celebrity in Lady Diana Beauclerk’s Watercolours of The Faerie Queene

pp 374-390

21 - Angelica Kauffman and the Sister Arts

pp 391-407

22 - Illustrated Magazines and Periodicals: Visual Genres and Gendered Aspirations

pp 408-426