Book contents
- Schoenberg in Context
- Composers in Context
- Schoenberg in Context
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Notes on Contributors
- Preface and Acknowledgements
- Abbreviations
- Part I Schoenberg in Place
- Chapter 1 At Home
- Chapter 2 Vienna
- Chapter 3 Schoenberg’s Three Berlins
- Chapter 4 Mödling
- Chapter 5 Los Angeles
- Part II More than a Composer
- Part III Approaches to Composition
- Part IV Paradoxes and Predicaments
- Part V Schoenberg’s Others
- Part VI Viennese Institutions
- Part VII Performers and Critics
- Part VIII Ideas, Beliefs and Interventions
- Further Reading
- Index
Chapter 3 - Schoenberg’s Three Berlins
from Part I - Schoenberg in Place
Published online by Cambridge University Press: 04 September 2025
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Edited by
Book contents
- Schoenberg in Context
- Composers in Context
- Schoenberg in Context
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Notes on Contributors
- Preface and Acknowledgements
- Abbreviations
- Part I Schoenberg in Place
- Chapter 1 At Home
- Chapter 2 Vienna
- Chapter 3 Schoenberg’s Three Berlins
- Chapter 4 Mödling
- Chapter 5 Los Angeles
- Part II More than a Composer
- Part III Approaches to Composition
- Part IV Paradoxes and Predicaments
- Part V Schoenberg’s Others
- Part VI Viennese Institutions
- Part VII Performers and Critics
- Part VIII Ideas, Beliefs and Interventions
- Further Reading
- Index
Summary
Schoenberg’s years in Berlin (1901–3, 1911–15, 1926–33) can be written on the city as an evolving network of people, places and institutions that shifted from the margins to the centres of cultural life, only to be erased when he left for the last time in 1933. These three periods were marked by profound changes in his life and works, mirroring the cataclysmic transformations of Berlin and Germany as a whole. This chapter sketches out the story of Schoenberg’s three Berlins, using a map for each period to chart the changing locales of his life in the city as well as the dramatically expanding artistic and cultural spheres in which he operated. While Schoenberg often embraced the image of an isolated, misunderstood prophet, the reality was a person deeply engaged with the people and places around him.
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- Schoenberg in Context , pp. 18 - 30Publisher: Cambridge University PressPrint publication year: 2025
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