Skip to main content Accessibility help
×
  1. Home
  2. Books
  3. Romanticism, Self-Canonization, and the Business of Poetry
  • Cited by 21
      • Show more authors
      • You may already have access via personal or institutional login
    • Select format
    • Publisher:
      Cambridge University Press
      Publication date:
      March 2017
      February 2017
      ISBN:
      9781316670019
      9781107158856
      9781316611531
      DOI:
      https://doi.org/10.1017/CBO9781316670019
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.6kg, 330 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.5kg, 332 Pages
      • Subjects:
      Literature, English Literature 1700-1830
      Series:
      Cambridge Studies in Romanticism (114)
    You may already have access via personal or institutional login
    • Selected: Digital
    Add to cart View cart Buy from Cambridge.org
    Subjects:
    Literature, English Literature 1700-1830
    Series:
    Cambridge Studies in Romanticism (114)
    Information

    Book description

    This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolutely concerned with current readers even as they presented themselves as disinterested artists writing for posterity. Exploding the myth of Romantic poets as naive, unworldly, or unconcerned with the practical aspects of literary production, this study shows them instead to be engaged with intellectual property, profit and loss, and the power of reprinting to reshape literary reputation. Gamer offers a fresh perspective on how we think about poetic revision, placing it between aesthetic and economic registers and foregrounding the centrality of poetic collections rather than individual poems to the construction of literary careers.

    Reviews

    'A sure sign of a good critical book is surprise that it hasn’t been written before. This is so with Michael Gamer’s Romanticism, Self-Canonization, and the Business of Poetry … The argument is cogent, persuasive, and yet fresh.'

    Octavia Cox Source: Studies in Romanticism

    '… expertly and persuasively argued. … Gamer’s excellent book succeeds in getting readers thinking about the lifetimes of hustle involved in posthumous fame and Romantic poetry’s bibliographic version of the greatest hits album or box set. Romanticism, Self-Canonization, and the Business of Poetry reveals that the iterative compilation is not merely derivative and that curating for a shot at immortality is literary art as much as business.'

    Yohei Igarashi Source: Modern Philology Journal

    'Gamer focuses on Romantic writers' employment of publishing and advertising networks, noticing how the poets cannily designed their collections of previously published work to draw in audiences and maximize profits.'

    Talia Schaffer Source: Studies in English Literature

    '… this study produces remarkable insights, such as its argument that 'Julian and Maddalo', the first poem in Posthumous Poems, is placed where it is to refute established stereotypes of Shelley’s character. Readings of this quality occur throughout, and prove that Michael Gamer’s study is a rare thing: an original analysis that should influence how we teach and how we read Romantic poetry.'

    Will Bowers Source: The Times Literary Supplement

    '… quite simply one of the most insightful, lucid, and absorbing new studies of British Romanticism to appear in recent memory. Offering one groundbreaking archival discovery after another - many of which yield provocative new readings of major authors and texts … a remarkably cohesive and clear scholarly study which offers a masterclass in how to engage with previous scholarship on the topic both generously and incisively.'

    Nicholas Mason Source: European Romantic Review

    '… the ultimate quality of Gamer’s study resides in the acuity of its close readings, and in its attentiveness to a novel range of authors.'

    Andrew Raven Source: British Society for Literature and Science Reviews (bsls.ac.uk)

    Refine List

    Actions for selected content:

    Select all | Deselect all
    • View selected items
    • Export citations
    • Download PDF (zip)
    • Save to Kindle
    • Save to Dropbox
    • Save to Google Drive

    Save Search

    You can save your searches here and later view and run them again in "My saved searches".

    Please provide a title, maximum of 40 characters.
    Cancel
    ×

    Contents

    Contents

    Metrics

    Altmetric attention score

    Full text views

    Total number of HTML views: 0
    Total number of PDF views: 0 *
    Loading metrics...

    Book summary page views

    Total views: 0 *
    Loading metrics...

    * Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

    Usage data cannot currently be displayed.

    Accessibility standard: Unknown

    Why this information is here

    This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

    Accessibility Information

    Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.