Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Preface
- 1 A Kirchner Portrait
- 2 Childhood and Student Years
- 3 Guggenheim Fellow in New York City
- 4 University of Southern California
- 5 Mills College
- 6 Harvard Years I—Teaching, Performing, and Writing
- 7 Harvard Years II—Composing
- 8 “Retirement”
- Epilogue
- A Chronology
- B Catalogue of Works
- C Discography
- D Repertoire Performed at Harvard
- E Autobiographical Essay
- Notes
- Bibliography
- Index
- Miscellaneous Endmatter
D - Repertoire Performed at Harvard
Published online by Cambridge University Press: 11 March 2023
Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Preface
- 1 A Kirchner Portrait
- 2 Childhood and Student Years
- 3 Guggenheim Fellow in New York City
- 4 University of Southern California
- 5 Mills College
- 6 Harvard Years I—Teaching, Performing, and Writing
- 7 Harvard Years II—Composing
- 8 “Retirement”
- Epilogue
- A Chronology
- B Catalogue of Works
- C Discography
- D Repertoire Performed at Harvard
- E Autobiographical Essay
- Notes
- Bibliography
- Index
- Miscellaneous Endmatter
Summary
February 10, 1964
Schubert, Variations in A-flat Major, Op. 35, and Fantasy in F Minor, Op. 103, for Piano Four Hands (Leon Kirchner and Luise Vosgerchian, piano)
Kirchner, Concerto for Violin, Cello, Ten Winds, and Percussion (Joseph Silverstein, violin; Madeline Foley, cello)
Stravinsky, Les noces (Beverly Sills, soprano; Eunice Alberts, mezzo-soprano; James Miller, tenor; John Hing, bass)
February 27, 1967
Stravinsky, Mass
Schoenberg, Suite, Op. 29
Kirchner, String Quartet No. 3
Bach, Cantata No. 105 “Herr, gehe nicht ins Gericht”
February 9, 1968 (with the Cantata Singers)
Bach, Cantata No. 34, “O ewiges Feuer, O Ursprung der Liebe” Bach, Cantata No. 105, “Herr, gehe nicht ins Gericht”
Bach, Cantata No. 106, “Gottes Zeit ist die allerbeste Zeit”
May 22, 1972 (at Burden Hall, Harvard Business School, with members of the Boston Symphony Orchestra)
Schoenberg, Chamber Symphony No. 1, Op. 9
Hindemith, Kammermusik No. 3, Op. 36, no. 2 (Jules Eskin, cello)
Mozart, Divertimento in D Major, K. 205
Mozart, Serenade for Winds in C Minor, K. 388
April 24, 1973 (with members of the Boston Symphony Orchestra; concert also performed in Washington, D.C., for the Smithsonian Institution and the Copernicus Society of America)
Kirchner, “Lily” (Diana Hoagland, soprano)
Webern, Four Songs, Op. 13 (Diana Hoagland, soprano)
Messiaen, Oiseaux exotiques (Peter Serkin, piano; Robert Becker xylophone)
Schoenberg, Chamber Symphony No. 1, Op. 9
Concerts with the Boston Philharmonia (in Sanders Theatre and Jordan Hall)
February 16, 1969
Stravinsky, Octet for Wind Instruments
Brahms, Serenade No. 2 in A Major, Op. 16
Schoenberg, Chamber Symphony No. 2, Op. 38
Mozart, Symphony No. 40 in G Minor, K. 550
August 7, 1969
Bach, Cantata No. 11, “Lobet Gott in seinen Reichen”
Stravinsky, Octet for Wind Instruments
Mozart, Symphony No. 41 in C Major, K. 551 (“Jupiter”)
October 26, 1969
Bruckner, Overture in G Minor
Varèse, Octandre
Handel, Concerto Grosso in B Minor, Op. 6, no. 12
Stravinsky, Movements for Piano and Orchestra (Luise Vosgerchian, piano)
Beethoven, Symphony No. 1 in C Major, Op. 21
March 22, 1970
Schubert, Overture in the Italian Style
Mahler, Kindertotenlieder (Jan Curtis, mezzo-soprano) Kirchner, Concerto for Violin, Cello, Ten Winds, and Percussion
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- Leon KirchnerComposer, Performer, and Teacher, pp. 265 - 271Publisher: Boydell & BrewerPrint publication year: 2010
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