from Part II - Transforming Genres
Published online by Cambridge University Press: 19 June 2025
This chapter highlights US Central American poetic responses to the increased social significance of legality, a ripple effect of the 1990s. The chapter expands Carolyn Forché’s concept of poetry of witness, testimonial verse foregrounding extremity, to include the nexus between constructions of illegality for many Central American refugees and legacies of US colonialism. The chapter considers what new insights might emerge from drawing on the conventions of witness poetries that incorporate both war trauma and Central American child migration. The chapter focuses on the Central American child and how it has been reconfigured in the poetic work of Afro-Panamanian Darrel Alejandro Holnes, Guatemalan American Maya Chinchilla, and Honduran American Roy G. Guzmán. Finally, it treats the poetry collection Unaccompanied (2017) by Salvadoran American Javier Zamora and shows that unaccompanied poetics can reimagine perspectives from (formerly) stateless children and confront the artificial stratifications of legal statuses.
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