Book contents
- Latinx Literature in Transition, 1444–1886
- Latinx Literature In Transition
- Latinx Literature in Transition, 1444–1886
- Copyright page
- Dedication
- Contents
- Contributors
- Introduction
- Part I Transacting
- Part II Transcending
- Part III Transgressing
- Part IV Transcreating
- Chapter 13 Spanish Baroque Theater and the Transatlantic
- Chapter 14 The Epistemic Disobedience of Latinx Shakespeares
- Chapter 15 The Strange Case of a “Lost” Dramatic Performance
- Chapter 16 Mars Is Oggún
- Chapter 17 Drawing the Latinx Migrant Subject
- Bibliography
- Index
- References
Chapter 14 - The Epistemic Disobedience of Latinx Shakespeares
from Part IV - Transcreating
Published online by Cambridge University Press: 06 August 2025
Book contents
- Latinx Literature in Transition, 1444–1886
- Latinx Literature In Transition
- Latinx Literature in Transition, 1444–1886
- Copyright page
- Dedication
- Contents
- Contributors
- Introduction
- Part I Transacting
- Part II Transcending
- Part III Transgressing
- Part IV Transcreating
- Chapter 13 Spanish Baroque Theater and the Transatlantic
- Chapter 14 The Epistemic Disobedience of Latinx Shakespeares
- Chapter 15 The Strange Case of a “Lost” Dramatic Performance
- Chapter 16 Mars Is Oggún
- Chapter 17 Drawing the Latinx Migrant Subject
- Bibliography
- Index
- References
Summary
This chapter attends to contemporary Latinx adaptations of early modern English drama and theater to theorize how a hegemonic playwright such as Shakespeare can be adapted as Latinx theater Cuban-American playwright Carlos-Zenen Trujillo’s 2019 play, The Island in Winter or, La Isla en Invierno (an adaptation of The Winter’s Tale), serves as a case study of the multimodal process of transnational theatrical bilanguaging, or the experience of living between languages. I argue that the currency of adapting Shakespeare for Latinx today is in the possibility of moving from a historical memory that recolonizes Latinx to an active site of Latinx temporality as worldmaking. Trujillo’s The Island in Winter as a process of epistemic disobedience disenfranchises anti-Black racism from theatrical representations of Cuban culture by integrating African Indigenous rituals into one of Shakespeare’s stories. It is through this process that cultural narratives are redrawn and reenacted, while gaps in the Western canon are exposed.
Keywords
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- Latinx Literature in Transition, 1444–1886 , pp. 319 - 340Publisher: Cambridge University PressPrint publication year: 2025
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