In Ezek 33:30-2 the prophet is given this rather disheartening warning (NEB):
Man, your fellow countrymen gather in groups and talk of you under walls and in doorways and say to one another, ‘Let us go and see what message there is from the Lord.’ So my people will come crowding in, as people do, and sit down in front of you. They will hear what you have to say but they will not do it. ‘Fine words!’ they will say, but their hearts are set on selfish gain. You are no more to them than a singer of fine songs with a lovely voice, or a clever harpist; they will listen to what you say but will certainly not do it.
There in a nutshell is the problem of the religious author, the problem that Kierkegaard constantly confronts in his own work. The more skill such an author uses to catch people's attention and the more graphically he or she describes for them the awesome possibilities of the religious transformation, the more scope there is for the audience's attention to be devoted to the aesthetic titillation to be gained from contemplation of these possibilities as fantasies. In Kierkegaard's analysis, it is this flight from the realization of possibility which is at the heart of the aesthetic attitude.
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