This chapter addresses the diverse modes in which poetry is found in and around Bloomsbury by focusing on three different aspects. First, it charts the presence of poetry and poets across different Hogarth Press series (the Hogarth Essays, the Hogarth Lectures on Literature, and Hogarth Living Poets). Second, it considers poetry both as a genre and as a critical issue in the debate on form in art, for example in Woolf’s numerous essays on prose and on the novel, in which her discourse on the subject is inextricably linked to her reflections on poetry, or in the work of Roger Fry, Charles Mauron, and Julian Bell on Mallarmé. Third, it focuses on Julian Bell’s practice of and critical discourse on poetry as they develop in crucial moments for the Bloomsbury group more at large. By addressing these points, the chapter outlines a network of people across generations whose discourse on, or writing of, poetry intersected in one way or another with the cultural and aesthetic practices of the group, thus illuminating some of the fertile tensions and contradictions within it.