from Introduction
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This chapter introduces the volume’s central premise that the uneasy relationship between Bloomsbury’s broad influence and perceived elitism is precisely why it continues to gain traction in critical debates. Instead of viewing the group as either radicals or gatekeepers, it is necessary to grapple with Bloomsbury’s imperialist biases and class complacencies at the same time as we resituate the group’s innovative aesthetics, transgressive relationships, and varied involvement in public life in national and global contexts. In response to Raymond Williams’ classic 1980 essay “The Bloomsbury Fraction” – which in considering Bloomsbury’s social position as an upper-class “fraction” settles into a relatively stable description of the group’s form – I propose friction as a more tangible and productive concept to explore Bloomsbury and its lasting contribution to culture.
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