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Chapter Three - The Portrayal of Mary and the Holy Family

Artistic Precedents

from Part I - History and Context

Published online by Cambridge University Press:  24 July 2025

Sara Nair James
Affiliation:
Mary Baldwin University
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Summary

To adorn sacred spaces with icons, altarpieces, and narrative programs gives viewers reminders of their faith and gave meaning to liturgy and religious rituals. The Virgin is the first and most frequently portrayed subject, and her portrayal evolved with the development of Christian ideas. A brief overview of artistic precedents forms a context for Orvieto’s place in the continuum, notes where their artists innovated, and why they did. It also confirms Orvieto as being a more progressive intellectual and artistic center, with finer and more innovative artists than scholars previously realized.

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Type
Chapter
Information
The Cult of the Virgin Mary in Medieval Italy
Art, Devotion, and Liturgy in Orvieto
, pp. 56 - 80
Publisher: Cambridge University Press
Print publication year: 2025

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