This chapter argues that the resurgence of genre fiction in the contemporary period demonstrates alterations in the status of romance kinds rather than the direct impact of postmodernism. Novels make possible worlds; the actions staged in imagined worlds need not be verisimilar or plausible. Though realism has been the dominant mode of the novel, it is not the only option, especially for writers who have read widely in genre fiction since childhood. Postmodernism is not required to explain why the characteristics of romance narratives persist. Genre fiction’s thrilling plots, strong affects of suspense, curiosity, and wonder, larger-than-life characters, and reliance on supernatural explanations or conspiracy theories, have invigorated contemporary fiction. Postmodernism is best understood as a style whose adoption expresses a writer’s desire to be considered experimental, irreverent, up-to-date, and still “literary.” Emergent patterns of prize-winning novels show the erosion of the distinction between literary and genre fiction.