August Wilson forged a formidable legacy as an advocate for Black art and aesthetic practices on and off the stage. In 1996, he delivered a speech at the Theatre Communications Group national conference entitled, “The Ground on Which I Stand,” in which he made a case for the importance of creating, supporting, and sustaining Black art and cultural institutions. The speech continues to serve as an important manifesto for those interested in dismantling the harmful systems and structures that persist in the theatre. This chapter revisits Wilson’s speech and places it in conversation with more recent demands to upend and dismantle white supremacy in the arts, including those articulated by the collective of Black, Indigenous, and People of Color theatremakers organizing under “We See You, White American Theatre.”