The coda to the book reads the contemporary author Craig Santos Perez to reflect on the violence of US territory making and the role of literary language in reorganizing its effects. I provide a close reading of Perez’s from unincorporated territory and its orientation toward the modernism of Claude McKay. By reworking McKay, Perez makes a contribution to cartographic literature that helps to see the US map as a dialectical image, provisional and contingent as opposed to authoritative and final.