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Plato: Protagoras
Edited by , University of Cambridge
Online ISBN: 9780511813023
Online publication date:
28 May 2018
- Textbook
The Protagoras is one of Plato's most entertaining dialogues. It represents Socrates at a gathering of the most celebrated and highest-earning intellectuals of the day, among them the sophist Protagoras. In flamboyant displays of both rhetoric and dialectic, Socrates and Protagoras try to out-argue one another. Their arguments range widely, from political theory to literary criticism, from education to the nature of cowardice; but in view throughout this literary and philosophical masterpiece are the questions of what part knowledge plays in a successful life, and how we may acquire the knowledge that makes for success. This edition contains the first commentary in English on the Greek text for almost a hundred years. The commentary provides the assistance with linguistic, literary and philosophical detail that will enable students and scholars to savour to the full the pleasures of the Protagoras.
The Protagoras is one of Plato's most entertaining dialogues. It represents Socrates at a gathering of the most celebrated and highest-earning intellectuals of the day, among them the sophist Protagoras. In flamboyant displays of both rhetoric and dialectic, Socrates and Protagoras try to out-argue one another. Their arguments range widely, from political theory to literary criticism, from education to the nature of cowardice; but in view throughout this literary and philosophical masterpiece are the questions of what part knowledge plays in a successful life, and how we may acquire the knowledge that makes for success. This edition contains the first commentary in English on the Greek text for almost a hundred years. The commentary provides the assistance with linguistic, literary and philosophical detail that will enable students and scholars to savour to the full the pleasures of the Protagoras.
Juvenal: Satires Book I
Edited by , Yale University, Connecticut
Online ISBN: 9781316529805
Online publication date:
28 May 2018
- Textbook
Satire was a genre of poetry invented and developed by the Romans. When it came into Juvenal's hands, he stamped his mark upon it: indignation. His angry voice had an overwhelming influence upon later European satirists and persists in modern forms of satire. In this new commentary, Susanna Morton Braund situates Juvenal within the genre of satire and illuminates his appropriation of the 'grand style' of declamatory rhetoric and epic poetry for his indignant persona in Satires 1–5, including the notorious second Satire. The commentary on each of the Satires is followed by an essay which offers an interpretation of the poem, including a synthesis of recent critical thought. These essays, together with the overview in the Introduction, present the first integrated reading of Book I as an organic structure.
Satire was a genre of poetry invented and developed by the Romans. When it came into Juvenal's hands, he stamped his mark upon it: indignation. His angry voice had an overwhelming influence upon later European satirists and persists in modern forms of satire. In this new commentary, Susanna Morton Braund situates Juvenal within the genre of satire and illuminates his appropriation of the 'grand style' of declamatory rhetoric and epic poetry for his indignant persona in Satires 1–5, including the notorious second Satire. The commentary on each of the Satires is followed by an essay which offers an interpretation of the poem, including a synthesis of recent critical thought. These essays, together with the overview in the Introduction, present the first integrated reading of Book I as an organic structure.
Virgil: Aeneid Book XII
Edited by , Harvard University, Massachusetts
Online ISBN: 9780511979378
Online publication date:
28 May 2018
- Textbook
Book XII brings Virgil's Aeneid to a close, as the long-delayed single combat between Aeneas and Turnus ends with Turnus' death - a finale that many readers find more unsettling than triumphant. In this, the first detailed single-volume commentary on the book in any language, Professor Tarrant explores Virgil's complex portrayal of the opposing champions, his use and transformation of earlier poetry (Homer's in particular) and his shaping of the narrative in its final phases. In addition to the linguistic and thematic commentary, the volume contains a substantial introduction that discusses the larger literary and historical issues raised by the poem's conclusion; other sections include accounts of Virgil's metre, later treatments of the book's events in art and music, and the transmission of the text. The edition is designed for upper-level undergraduates and graduate students and will also be of interest to scholars of Latin literature.
Book XII brings Virgil's Aeneid to a close, as the long-delayed single combat between Aeneas and Turnus ends with Turnus' death - a finale that many readers find more unsettling than triumphant. In this, the first detailed single-volume commentary on the book in any language, Professor Tarrant explores Virgil's complex portrayal of the opposing champions, his use and transformation of earlier poetry (Homer's in particular) and his shaping of the narrative in its final phases. In addition to the linguistic and thematic commentary, the volume contains a substantial introduction that discusses the larger literary and historical issues raised by the poem's conclusion; other sections include accounts of Virgil's metre, later treatments of the book's events in art and music, and the transmission of the text. The edition is designed for upper-level undergraduates and graduate students and will also be of interest to scholars of Latin literature.
Euripides: Cyclops
- Textbook
Euripides' Cyclops is the only example of Attic satyr-drama which survives intact. It is a brilliant dramatisation of the famous story from Homer's Odyssey of how Odysseus blinded the Cyclops after making him drunk. The play has much to teach us, not just about satyr-drama, but also about the reception and adaptation of Homer in classical Athens; the brutal savagery of the Homeric monster is here replaced by an ironised presentation of Athenian social custom. Problems of syntax, metre and language are fully explained, and there is a sophisticated literary discussion of the play. This edition will be of interest to advanced undergraduates and graduate students studying Greek literature, as well as to scholars.
Euripides' Cyclops is the only example of Attic satyr-drama which survives intact. It is a brilliant dramatisation of the famous story from Homer's Odyssey of how Odysseus blinded the Cyclops after making him drunk. The play has much to teach us, not just about satyr-drama, but also about the reception and adaptation of Homer in classical Athens; the brutal savagery of the Homeric monster is here replaced by an ironised presentation of Athenian social custom. Problems of syntax, metre and language are fully explained, and there is a sophisticated literary discussion of the play. This edition will be of interest to advanced undergraduates and graduate students studying Greek literature, as well as to scholars.
Cicero: Pro Milone
Edited with Introduction and Notes by , Washington University, St Louis
- Textbook
The Pro Milone numbers among Cicero's most famous speeches. In it he defends his friend T. Annius Milo against the charge of murdering P. Clodius Pulcher, Cicero's own archenemy. Clodius' death, Milo's trial, and their aftermath consumed Roman public life in 52 BC, involving every major political figure of the day. Although Cicero's defense failed, the published speech remains one of his finest, a fascinating document from a turbulent time, full of interest both historical and rhetorical. This edition, aimed at students and scholars alike, provides readers with the help that they need to appreciate the speech as a literary masterpiece and a historical text. Including a comprehensive introduction and a newly constituted Latin text, it provides detailed treatment of Cicero's language, style, and rhetorical techniques, as well as full discussion of the historical background and the larger social and cultural issues relevant to the speech.
The Pro Milone numbers among Cicero's most famous speeches. In it he defends his friend T. Annius Milo against the charge of murdering P. Clodius Pulcher, Cicero's own archenemy. Clodius' death, Milo's trial, and their aftermath consumed Roman public life in 52 BC, involving every major political figure of the day. Although Cicero's defense failed, the published speech remains one of his finest, a fascinating document from a turbulent time, full of interest both historical and rhetorical. This edition, aimed at students and scholars alike, provides readers with the help that they need to appreciate the speech as a literary masterpiece and a historical text. Including a comprehensive introduction and a newly constituted Latin text, it provides detailed treatment of Cicero's language, style, and rhetorical techniques, as well as full discussion of the historical background and the larger social and cultural issues relevant to the speech.
Hesiod: Theogony
Edited by , University of Virginia, , University of Newcastle upon Tyne
- Textbook
Hesiod was and is regarded as one of the founding figures of Greek literature and culture, alongside Homer, and his Theogony is the first extant attempt to give an account of the whole, of the gods and of the cosmos, how it came to be, from what, and how it achieved its present state. Strong parallels can be identified between it and various myths and texts from the ancient Near East. Moreover, it was highly influential on subsequent Greek and Latin literature and philosophy. This, the first modern commentary in over half a century, includes all the necessary linguistic, textual, metrical, and literary material that will allow students to understand and enjoy the Theogony and its place in the literary tradition. It is intended primarily for advanced undergraduates and graduate students but will also be considered valuable by scholars of Greek literature and thought.
Hesiod was and is regarded as one of the founding figures of Greek literature and culture, alongside Homer, and his Theogony is the first extant attempt to give an account of the whole, of the gods and of the cosmos, how it came to be, from what, and how it achieved its present state. Strong parallels can be identified between it and various myths and texts from the ancient Near East. Moreover, it was highly influential on subsequent Greek and Latin literature and philosophy. This, the first modern commentary in over half a century, includes all the necessary linguistic, textual, metrical, and literary material that will allow students to understand and enjoy the Theogony and its place in the literary tradition. It is intended primarily for advanced undergraduates and graduate students but will also be considered valuable by scholars of Greek literature and thought.
Virgil: Aeneid Book XI
Edited with Introduction and Notes by , Rice University, Houston
Online ISBN: 9781107775527
Online publication date:
05 February 2020
- Textbook
Virgil's Aeneid XI is an important, yet sometimes overlooked, book which covers the funerals following the fierce fighting in Book X and a council of the Latins before they and the Trojans resume battle after the end of the truce. This edition contains a thorough Introduction which provides context for Book XI both within and beyond the rest of the poem, explores key characters such as Aeneas and Camilla, and deals with issues of metre and textual transmission. The line-by-line Commentary will be indispensable for students and instructors wishing to enhance their understanding of the poem and especially of Virgil's language and syntax. Accessible and comprehensive, the volume will help readers to appreciate features of Virgilian style as well as deepening their engagement with the content and themes of the Aeneid as a whole.
Virgil's Aeneid XI is an important, yet sometimes overlooked, book which covers the funerals following the fierce fighting in Book X and a council of the Latins before they and the Trojans resume battle after the end of the truce. This edition contains a thorough Introduction which provides context for Book XI both within and beyond the rest of the poem, explores key characters such as Aeneas and Camilla, and deals with issues of metre and textual transmission. The line-by-line Commentary will be indispensable for students and instructors wishing to enhance their understanding of the poem and especially of Virgil's language and syntax. Accessible and comprehensive, the volume will help readers to appreciate features of Virgilian style as well as deepening their engagement with the content and themes of the Aeneid as a whole.
Cicero: Catilinarians
Edited by , University of California, Los Angeles
Online ISBN: 9780511803611
Online publication date:
28 May 2018
- Textbook
As consul in 63 BC Cicero faced a conspiracy to overthrow the Roman state launched by the frustrated consular candidate Lucius Sergius Catilina. Cicero's handling of this crisis would shape foreverafter the way he defined himself and his statesmanship. The four speeches he delivered during the crisis show him at the height of his oratorical powers and political influence. Divided between deliberative speeches given in the senate (1 and 4) and informational speeches delivered before the general public (2 and 3), the Catilinarians illustrate Cicero's adroit handling of several distinct types of rhetoric. Beginning in antiquity, this corpus served as a basic text for generations of students but fell into neglect during the past half-century. This edition, which is aimed primarily at advanced undergraduates and graduate students, takes account of recently discovered papyrus evidence, recent studies of Cicero's language, style and rhetorical techniques, and the relevant historical background.
As consul in 63 BC Cicero faced a conspiracy to overthrow the Roman state launched by the frustrated consular candidate Lucius Sergius Catilina. Cicero's handling of this crisis would shape foreverafter the way he defined himself and his statesmanship. The four speeches he delivered during the crisis show him at the height of his oratorical powers and political influence. Divided between deliberative speeches given in the senate (1 and 4) and informational speeches delivered before the general public (2 and 3), the Catilinarians illustrate Cicero's adroit handling of several distinct types of rhetoric. Beginning in antiquity, this corpus served as a basic text for generations of students but fell into neglect during the past half-century. This edition, which is aimed primarily at advanced undergraduates and graduate students, takes account of recently discovered papyrus evidence, recent studies of Cicero's language, style and rhetorical techniques, and the relevant historical background.
Homer: Odyssey Books XVII-XVIII
Edited by , Columbia University, New York
Online ISBN: 9780511780660
Online publication date:
28 May 2018
- Textbook
Books XVII and XVIII of the Odyssey feature, among other episodes, the disguised Odysseus' penetration of his home after an absence of twenty years and his first encounter with his wife. The commentary provides linguistic and syntactical guidance suitable for upper-level students along with detailed consideration of Homer's compositional and narrative techniques, his literary artistry and the poem's central themes. An extensive introduction considers questions of formulaic composition, the nature of the poem's audience and the context of its performance, and isolates the concerns most prominent in the poem's second half and in Books XVII and XVIII in particular. Here too are considered the roles of Penelope and Telemachus, questions of disguise and recognition, and the institution of hospitality flaunted by the suitors in Odysseus' halls. Brief sections also discuss Homeric metre and the transmission of the text.
Books XVII and XVIII of the Odyssey feature, among other episodes, the disguised Odysseus' penetration of his home after an absence of twenty years and his first encounter with his wife. The commentary provides linguistic and syntactical guidance suitable for upper-level students along with detailed consideration of Homer's compositional and narrative techniques, his literary artistry and the poem's central themes. An extensive introduction considers questions of formulaic composition, the nature of the poem's audience and the context of its performance, and isolates the concerns most prominent in the poem's second half and in Books XVII and XVIII in particular. Here too are considered the roles of Penelope and Telemachus, questions of disguise and recognition, and the institution of hospitality flaunted by the suitors in Odysseus' halls. Brief sections also discuss Homeric metre and the transmission of the text.
Euripides: Medea
Edited by , University of California, Berkeley
Online ISBN: 9780511806223
Online publication date:
28 May 2018
- Textbook
This up-to-date edition makes Euripides' most famous and influential play accessible to students of Greek reading their first tragedy as well as to more advanced students. The introduction analyzes Medea as a revenge-plot, evaluates the strands of motivation that lead to her tragic insistence on killing her own children, and assesses the potential sympathy of a Greek audience for a character triply marked as other (barbarian, witch, woman). A unique feature of this book is the introduction to tragic language and style. The text, revised for this edition, is accompanied by an abbreviated critical apparatus. The commentary provides morphological and syntactic help for inexperienced students and more advanced observations on vocabulary, rhetoric, dramatic techniques, stage action, and details of interpretation, from the famous debate of Medea and Jason to the 'unmotivated' entrance of Aegeus and the controversial monologue of Medea.
This up-to-date edition makes Euripides' most famous and influential play accessible to students of Greek reading their first tragedy as well as to more advanced students. The introduction analyzes Medea as a revenge-plot, evaluates the strands of motivation that lead to her tragic insistence on killing her own children, and assesses the potential sympathy of a Greek audience for a character triply marked as other (barbarian, witch, woman). A unique feature of this book is the introduction to tragic language and style. The text, revised for this edition, is accompanied by an abbreviated critical apparatus. The commentary provides morphological and syntactic help for inexperienced students and more advanced observations on vocabulary, rhetoric, dramatic techniques, stage action, and details of interpretation, from the famous debate of Medea and Jason to the 'unmotivated' entrance of Aegeus and the controversial monologue of Medea.
Greek Epitaphic Poetry
A Selection
Edited with Introduction and Notes by , University of Cambridge
- Textbook
Thousands of Greek verse epitaphs, covering a millennium of history, survive inscribed or painted on stone. These largely anonymous poems shed rich light on areas such as ancient moral values, religious ideas, gender relations and attitudes, as well as on the transmission and reception of 'canonical' poetry; many of these poems are of very high literary quality. This is the first modern commentary on a selection of these poems. Problems of syntax, metre and language are fully explained, accompanied by sophisticated literary discussion of the poems. There is a full introduction to the nature of these poems and to their context within Greek ideas of death and the afterlife. This comprehensive edition will be of interest to advanced undergraduates and graduate students studying Greek literature, as well as to scholars.
Thousands of Greek verse epitaphs, covering a millennium of history, survive inscribed or painted on stone. These largely anonymous poems shed rich light on areas such as ancient moral values, religious ideas, gender relations and attitudes, as well as on the transmission and reception of 'canonical' poetry; many of these poems are of very high literary quality. This is the first modern commentary on a selection of these poems. Problems of syntax, metre and language are fully explained, accompanied by sophisticated literary discussion of the poems. There is a full introduction to the nature of these poems and to their context within Greek ideas of death and the afterlife. This comprehensive edition will be of interest to advanced undergraduates and graduate students studying Greek literature, as well as to scholars.
Herodotus: Histories Book I
Edited with Introduction and Notes by , Bard College, New York, , Swarthmore College, Pennsylvania
- Textbook
In the Histories, which could loosely be translated as 'Investigations' or 'Researches,' Herodotus tells how the Persian Empire began, grew, and then met defeat in Greece in his parents' generation. Book 1 begins that story. It introduces both the world in which the Persian imperial war machine began to operate and then expanded, and Herodotus' own procedures in undertaking the ambitious task he has set himself. This edition helps intermediate and advanced students to read the book in the original Greek and will also be of interest to advanced scholars. The Commentary provides information about dialect, grammatical forms, syntax, and other properties of his language. In addition, the Introduction and the Commentary engage in literary interpretation and explore Herodotus' value as a historian, his immense curiosity, and the attention he devotes to the customs, beliefs, concrete realities, and myths of other cultures.
In the Histories, which could loosely be translated as 'Investigations' or 'Researches,' Herodotus tells how the Persian Empire began, grew, and then met defeat in Greece in his parents' generation. Book 1 begins that story. It introduces both the world in which the Persian imperial war machine began to operate and then expanded, and Herodotus' own procedures in undertaking the ambitious task he has set himself. This edition helps intermediate and advanced students to read the book in the original Greek and will also be of interest to advanced scholars. The Commentary provides information about dialect, grammatical forms, syntax, and other properties of his language. In addition, the Introduction and the Commentary engage in literary interpretation and explore Herodotus' value as a historian, his immense curiosity, and the attention he devotes to the customs, beliefs, concrete realities, and myths of other cultures.
Horace: Odes Book III
Edited with Introduction and Notes by , University of Virginia
- Textbook
Book 3 of the Odes completes the lyric trilogy which Horace, who rivals Virgil as the greatest of all Latin poets, published in 23 BC. Arguably his most famous book, it opens with the six so-called 'Roman Odes', those defining texts of the Augustan Age, and concludes with the statement of his achievement: he has produced for his Roman readers a body of lyric poetry to rival the great lyric poets of Greece, a monument which will last as long as Rome itself. The present volume aims to place Horace's Odes in their literary and historical context, to explain his Latin, to articulate his thought, and to attempt to elucidate his brilliance. It presents a new text and adopts an approach independent of that of earlier commentators.
Book 3 of the Odes completes the lyric trilogy which Horace, who rivals Virgil as the greatest of all Latin poets, published in 23 BC. Arguably his most famous book, it opens with the six so-called 'Roman Odes', those defining texts of the Augustan Age, and concludes with the statement of his achievement: he has produced for his Roman readers a body of lyric poetry to rival the great lyric poets of Greece, a monument which will last as long as Rome itself. The present volume aims to place Horace's Odes in their literary and historical context, to explain his Latin, to articulate his thought, and to attempt to elucidate his brilliance. It presents a new text and adopts an approach independent of that of earlier commentators.
Theophrastus: Characters
Edited with Introduction and Notes by , University of Cambridge
- Textbook
Theophrastus:Characters is a collection of thirty short character-sketches of various types of individuals who might be met in the streets of Athens in the late fourth century BC. It is a unique work which has had a profound influence on European literature. This edition aims to make it accessible to students, by offering a radically improved text and a commentary which brings out the meaning and nuances of the dazzling but sometimes difficult Greek and offers full elucidation of the often enigmatic references to contemporary social practices and historical events. There is also a full introduction, which discusses the antecedents and affiliations of the work, its date, its purpose, and its literary qualities.
Theophrastus:Characters is a collection of thirty short character-sketches of various types of individuals who might be met in the streets of Athens in the late fourth century BC. It is a unique work which has had a profound influence on European literature. This edition aims to make it accessible to students, by offering a radically improved text and a commentary which brings out the meaning and nuances of the dazzling but sometimes difficult Greek and offers full elucidation of the often enigmatic references to contemporary social practices and historical events. There is also a full introduction, which discusses the antecedents and affiliations of the work, its date, its purpose, and its literary qualities.
Lucretius: De Rerum NaturaBook III
2nd edition
Edited by , University of Cambridge
Online ISBN: 9780511843754
Online publication date:
12 September 2018
- Textbook
The third book of Lucretius' great poem on the workings of the universe is devoted entirely to expounding the implications of Epicurus' dictum that death does not matter, 'is nothing to us'. The soul is not immortal: it no more exists after the dissolution of the body than it had done before its birth. Only if this fact is accepted can men rid themselves of irrational fears and achieve the state of ataraxia, freedom from mental disturbance, on which the Epicurean definition of pleasure was based. To present this case Lucretius deploys the full range of poetic and rhetorical registers, soberly prohibitive, artfully decorative or passionately emotive as best suits his argument, reinforcing it with vivid and compelling imagery. This new edition has been completely revised, with a considerably enlarged Commentary and a new supplementary introduction taking account of the great amount of new scholarship of the last forty years.
The third book of Lucretius' great poem on the workings of the universe is devoted entirely to expounding the implications of Epicurus' dictum that death does not matter, 'is nothing to us'. The soul is not immortal: it no more exists after the dissolution of the body than it had done before its birth. Only if this fact is accepted can men rid themselves of irrational fears and achieve the state of ataraxia, freedom from mental disturbance, on which the Epicurean definition of pleasure was based. To present this case Lucretius deploys the full range of poetic and rhetorical registers, soberly prohibitive, artfully decorative or passionately emotive as best suits his argument, reinforcing it with vivid and compelling imagery. This new edition has been completely revised, with a considerably enlarged Commentary and a new supplementary introduction taking account of the great amount of new scholarship of the last forty years.
A Hellenistic Anthology
2nd edition
Edited with Introduction and Notes by , Trinity College, Cambridge
- Textbook
This book is an anthology of Greek poetry written during the third to first centuries BC, the Hellenistic period. It is intended to make available to undergraduates and graduate students a selection of texts which are for the most part not easily accessible elsewhere. The volume contains a wide and representative range of poetry including hymns, didactic verse, pastoral poetry, epigrams and epic. An introduction provides cultural and historical background, and a full commentary elucidates problems of language and reference in the texts. In this second edition, many notes have been rewritten and the bibliography has been updated. The selection has also been augmented with three hundred more lines of Greek text (Theocritus poems 5 and 15), and is now more than 2000 lines in length.
This book is an anthology of Greek poetry written during the third to first centuries BC, the Hellenistic period. It is intended to make available to undergraduates and graduate students a selection of texts which are for the most part not easily accessible elsewhere. The volume contains a wide and representative range of poetry including hymns, didactic verse, pastoral poetry, epigrams and epic. An introduction provides cultural and historical background, and a full commentary elucidates problems of language and reference in the texts. In this second edition, many notes have been rewritten and the bibliography has been updated. The selection has also been augmented with three hundred more lines of Greek text (Theocritus poems 5 and 15), and is now more than 2000 lines in length.
Greek Lyric
A Selection
Edited with Introduction and Notes by , University of Oxford
Online ISBN: 9781139049085
Online publication date:
13 September 2019
- Textbook
The corpus of Greek lyric holds a twofold attraction. It provides glimpses of the song culture of early Greece in which lyric performance had a central place, and it presents us with some captivating and memorable poetry which has been admired since antiquity. This edition gathers poems by seven of the nine canonical lyricists (Alcman, Alcaeus, Sappho, Stesichorus, Ibycus, Anacreon, Simonides), as well as a number of carmina popularia and carmina convivalia and passages from Timotheus' Persians. Both longer and shorter pieces are included. The introduction discusses major issues in the study of Greek lyric including genre, performance and transmission. The commentary is literary in emphasis but also treats questions of syntax, textual reconstruction, metre and dialect. The volume will be of interest to higher-level undergraduates and graduate students as well as to scholars.
The corpus of Greek lyric holds a twofold attraction. It provides glimpses of the song culture of early Greece in which lyric performance had a central place, and it presents us with some captivating and memorable poetry which has been admired since antiquity. This edition gathers poems by seven of the nine canonical lyricists (Alcman, Alcaeus, Sappho, Stesichorus, Ibycus, Anacreon, Simonides), as well as a number of carmina popularia and carmina convivalia and passages from Timotheus' Persians. Both longer and shorter pieces are included. The introduction discusses major issues in the study of Greek lyric including genre, performance and transmission. The commentary is literary in emphasis but also treats questions of syntax, textual reconstruction, metre and dialect. The volume will be of interest to higher-level undergraduates and graduate students as well as to scholars.
Homer: Iliad Book XXIV
Edited by
Online ISBN: 9781316036419
Online publication date:
28 May 2018
- Textbook
The twenty-fourth book of the Iliad - the account of Priam's ransoming of Hector's body from Achilles - is one of the masterpieces of world literature, a work of interest to a far wider audience than scholars of ancient Greek. In this edition Colin Macleod tries to reach both scholars and Greekless readers alike. In his commentary he gives help to readers unfamiliar with the language of Homer and discusses problems of content and expression, never treating this book in isolation but drawing attention to Homer's artistry and thought in the context of the whole of the Iliad. In his introduction Mr Macleod examines Homer's notion of poetry, his style and language and the architecture and meaning of his work. He tries to show why Book XXIV is a proper conclusion to the Iliad. This is an edition for classical scholars, undergraduates and students in the upper forms of schools. The introduction and substantial parts of the commentary require no knowledge of Greek and should find readers among all who are interested in European literature.
The twenty-fourth book of the Iliad - the account of Priam's ransoming of Hector's body from Achilles - is one of the masterpieces of world literature, a work of interest to a far wider audience than scholars of ancient Greek. In this edition Colin Macleod tries to reach both scholars and Greekless readers alike. In his commentary he gives help to readers unfamiliar with the language of Homer and discusses problems of content and expression, never treating this book in isolation but drawing attention to Homer's artistry and thought in the context of the whole of the Iliad. In his introduction Mr Macleod examines Homer's notion of poetry, his style and language and the architecture and meaning of his work. He tries to show why Book XXIV is a proper conclusion to the Iliad. This is an edition for classical scholars, undergraduates and students in the upper forms of schools. The introduction and substantial parts of the commentary require no knowledge of Greek and should find readers among all who are interested in European literature.
Horace: Odes IV and Carmen Saeculare
Edited by , Harvard University, Massachusetts
Online ISBN: 9780511973994
Online publication date:
28 May 2018
- Textbook
The Carmen Saeculare was composed and published in 17 BCE as Horace was returning to the genre of lyric which he had abandoned six years earlier; the fourth book of Odes is in part a response to this poem, the only commissioned poem we know from the period. The hardening of the political situation, with the Republic a thing of the past and the Augustan succession in the air, threw the problematic issue of praise into fresh relief, and at the same time provided an impulse towards the nostalgia represented by the poet's private world. Professor Thomas provides an introduction and commentary (the first full commentary in English since the nineteenth century) to each of the poems, exploring their status as separate lyric artefacts and their place in the larger web of the book. The edition is intended primarily for upper-level undergraduates and graduate students, but is also important for scholars.
The Carmen Saeculare was composed and published in 17 BCE as Horace was returning to the genre of lyric which he had abandoned six years earlier; the fourth book of Odes is in part a response to this poem, the only commissioned poem we know from the period. The hardening of the political situation, with the Republic a thing of the past and the Augustan succession in the air, threw the problematic issue of praise into fresh relief, and at the same time provided an impulse towards the nostalgia represented by the poet's private world. Professor Thomas provides an introduction and commentary (the first full commentary in English since the nineteenth century) to each of the poems, exploring their status as separate lyric artefacts and their place in the larger web of the book. The edition is intended primarily for upper-level undergraduates and graduate students, but is also important for scholars.
Valerius Flaccus: Argonautica Book III
Edited by , University College London
Online ISBN: 9781139583978
Online publication date:
28 May 2018
- Textbook
Valerius Flaccus' Argonautica is one of the most significant surviving works of Flavian epic, which has recently become much more popular as a field of study and teaching in Latin literature. This is the first commentary in English directly tailored to the needs of graduate and advanced undergraduate students. It provides an introduction to the major themes of the poem and the structure and content of Book III in particular which can function as an overview of the key features of Flavian epic. The detailed commentary on Book III discusses linguistic issues, intertextual and mythical allusions and thematic strands. The book consists of two major episodes in the adventures of Jason and the Argonauts which can be read together or independently of each other.
Valerius Flaccus' Argonautica is one of the most significant surviving works of Flavian epic, which has recently become much more popular as a field of study and teaching in Latin literature. This is the first commentary in English directly tailored to the needs of graduate and advanced undergraduate students. It provides an introduction to the major themes of the poem and the structure and content of Book III in particular which can function as an overview of the key features of Flavian epic. The detailed commentary on Book III discusses linguistic issues, intertextual and mythical allusions and thematic strands. The book consists of two major episodes in the adventures of Jason and the Argonauts which can be read together or independently of each other.