William Cooper’s rise from working-class living in London was steeper than Wilson’s but followed an equally complex pattern of social mobility generated by expatriate employment. The chapter charts his career and social journey from telegram-boy in working-class Bermondsey, underlining cultural factors supporting his rise in status. He progressed to junior telegraphy work on several Persian Gulf stations, then to supervision of a station in Russian Georgia on the Black Sea, and finally in Tehran, directing his company’s entire Persian telegraph operations, acquiring elite trappings of the Edwardian gentleman abroad. Telegraph management worked around the impacts of the Russian Revolution of 1905 and the Persian constitutional revolution of 1905-09, bringing him into close contact in Tehran with diplomatic and Persian elites, aided by his Bermondsey wife who earned a reputation among expatriates as an accomplished hostess. His elevation to elite status was underlined by his family’s adoption of an expatriate middle-class identity, and his middle-class masculinity and fatherhood practices, marked an intimate father-daughter relationship alongside firm patriarchal rules of behaviour.

Introduces the themes of empire and overseas enterprise, specifically shipping and telegraphy, as engines of social mobility, of expatriate opportunities for the British working and lower middle classes, and a related love story created by conditions of expatriate life in the Middle East, particularly Persia. It reviews imperial historians’ focus on informal empire, stressing Robert Bickers’ concept of non-elite ‘other ranks of empire’. David Lambert and Alan Lester’s concept of imperial ‘careering’, and of expatriate experience forging a ‘transformation of identity’, points to the book’s key characters as ‘agents of imperialism’: William Cooper in telegraphy, Edgar Wilson in river shipping and William’s daughter, Winifred Cooper, exploiting expatriate opportunities for independence, and eventually married to Edgar. The key source, a rich British Library archive, yields intimate insights, through letters and diaries, into familiar social history themes like class, marriage, gender and sexuality, and an argument about expatriate social mobility into retirement.

Taking the nationalisation of the telegraph in 1870 as a starting point, this chapter considers how information was understood as immaterial yet depended upon a complex material infrastructure. The first section addresses telegraphy as a technology of the present, enabling people to experience new kinds of contemporaneity, while, at the same time, ensuring that it remained stubbornly uneven. The second turns to text, exploring how it was made suitable for transmission by new information technologies and the new kinds of workers employed to process it. The third looks at the print archive. To ensure the right information could be readily retrieved, systems of bibliographic control were developed to manage the material from which it derived. Throughout, I return to Anthony Trollope’s The Way We Live Now (1875). Trollope’s novel is deeply interested in the contemporary, attending to the technologies that structure the moment and those that make that moment pass.

Responding to critics who argue that telegraphy is an analogy for style (or at least for realism) in Victorian fiction, in this chapter David Trotter argues conversely that it is in fact inimical to style. Telegraphic communication, while hard to represent, or distasteful in its crudeness, could not be ignored. The novelists understood that it could be essential to human intercourse and, on occasion, oddly romantic. Daniel Deronda is the example par excellence.

This chapter considers intersections between the histories of literature and of telecommunication technologies – telegraph, telephone, radio – in the first decades of the twentieth century. Early in the century, some readers might have encountered ‘Hertzian waves’ for the first time when Kipling drew on them as figures for determinism, invisible influence, and the unconscious. Technologies of telecommunication also offered a reference point for a modern sense of simultaneous connection and disconnection in the works of authors technophilic (Wells), technophobic (Forster, Eliot), or more conflicted (Ford), as well as those whose attitudes towards technology were at times even harder to parse (Joyce, Woolf). The cryptic codes of telegraphy, the decoupling of the voice from body on the wire and the airwaves, the emergent possibilities of a mass culture broadcast into the air in real time: all of these helped reshape not only the media ecology in which print works had value and meaning, but also some of the most urgent questions facing authors in the century’s opening decades, questions of the relationships between culture and subjectivity, fragmentation and totality, signal and noise.

This chapter examines how the law, and especially litigation, played an important but paradoxical role in both holding the Bandmann Circuit together and also threatening to destabilize it as disputes erupted with almost predictable regularity. Enacted in the public ‘theatre’ of courts and trials, these disagreements impacted not only on labour relations, but also on the ‘intimate relations’ of marriage and reproduction; they affected artistic production and were influenced by cultural differences and media reporting. Maurice E. Bandmann’s many and often highly publicized court cases generated a secondary stage, where his artists had additional appearances. In ANT terms, the stage and the courts thus became linked, acting on one another in a mutually reinforcing activity that ultimately strengthened the network. The legal disputes centred on two main kinds of breaches: copyright and of labour contracts. Both elements constituted crucial assets in the Bandmann Circuit. Copyright protected the network’s intellectual property, whereas contracts regulated the deployment of human capital.

Chapter Four focuses on the experimental approaches of physical-psychical scientists to psychical phenomena.It focuses on four key examples from the 1870s-1890s: William Crookes’s investigations of ‘psychic force’ ; Crookes and Cromwell Varley’s electrical tests of mediumship; the SPR’s studies of Reichenbach’s ‘od’ ; and Oliver Lodge and Benjamin Davies’s ideas about and experimental tests of telekinesis.The chapter shows the extraordinary lengths to which physical-psychical scientists went to achieve greater control over, to measure and record psychical effects, and to turn domestic seances into sites of experimental physics.The limited effectiveness of this work was partly due to perceived flaws in experimental design, a lack of suitable experimental subjects (mediums), and because physical-psychical scientists believed their professional and intellectual goals were better served by focusing experimental research on purely physical topics.