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2 results

The Theology of the Book of Leviticus
  • Mark W. Scarlata
  • Published online:
    18 July 2025
    Print publication:
    07 August 2025
  • Leviticus is often considered to be one of the most challenging books of the Bible because of its focus on blood sacrifice, infectious diseases, and complicated dietary restrictions. Moreover, scholarly approaches have focused primarily on divisions in the text without considering its overarching theological message. In this volume, Mark W. Scarlata analyses Leviticus' theology, establishing the connection between God's divine presence and Israel's life. Exploring the symbols and rituals of ancient Israel, he traces how Leviticus develops a theology of holiness in space and time, one that weaves together the homes of the Israelites with the home of God. Seen through this theological lens, Leviticus' text demonstrates how to live in the fullness of God's holy presence and in harmony with one another and the land. Its theological vision also offers insights into how we might live today in a re-sacralized world that cherishes human dignity and cares for creation.

  • Chapter 26 - Georg Trakl (1887–1914)

  • from Part III - Poets
  • Edited by Jane Potter, Oxford Brookes University
  • Book:
    A History of World War One Poetry
    Published online:
    18 January 2023
    Print publication:
    12 January 2023, pp 424-440

  • Summary

    Trakl was the master of transfiguration and poetic enigma. His poetry uses a very specific number of colours (black, purple, blue), strikingly simple rhyme and – at times obstinate – repetition to unmatched effects. The expressive quality of his poetry never amounts to dogmatic expressionism but relates, and reflects, the deeper qualities of introspection. It tries to identify the very roots of expression in the troubled human existence. His poetry originated in feelings of guilt (often connected with the biographical fact that he had induced his sister to the misuse of drugs) and utter desolation. We have seen already that to him the self-destruction of occidental culture was a certainty years before the outbreak of World War One. This chapter discusses whether it can be argued that Trakl’s poetry reflects, to a certain extent, an anticipation of the horrors that became manifest and unbearable to him already in the very first weeks of this European tragedy with disastrous global implications.