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This chapter summarizes recent trends and future possibilities in Ottoman cultural history with two main foci. First, we underline the potential of cultural history to go beyond formal categories (such as occupation, ethnicity, or religion), specifically through the concept of emotional communities. Second, we highlight performance studies as a fruitful venue of study that challenges the reduction of culture to written texts, with a particular emphasis on the aural dimensions of history. Together, these two approaches challenge presuppositions about a monolithic, single Ottoman culture. While highlighting methodological insights from the broader subfields of performance studies, sound studies, and the history of emotions, we simultaneously underline the specific challenges of applying these methods in Ottoman history.
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