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3 results

  • Chapter 9 - Philosophy and Theory

  • from Part II - Themes and Issues
  • Edited by Brad Kent, Université Laval, Québec, David Kornhaber, University of Texas, Austin
  • Book:
    The Cambridge Companion to Modernist Theatre
    Published online:
    28 August 2025
    Print publication:
    11 September 2025, pp 163-179

  • Summary

    This chapter covers the multivalent, multidirectional relationship that developed between theatre and philosophy during the modernist era. It begins with the rise of German idealism in the eighteenth and nineteenth centuries and its influence on Friedrich Nietzsche’s landmark The Birth of Tragedy Out of the Spirit of Music. From Nietzsche’s own sway over a new generation of dramatists worldwide, the chapters expands to consider other thinkers taken as influences by global theatre-makers as well as leading philosophers and theorists around the world who took explicit interest in the stage. The chapter also explores the tensions inherent in these relationships, including open disavowals of philosophic influence by prominent dramatists and outright criticisms of the entire philosophical project by members of the avant-garde. In both its avowals of influence and disavowals of the same, the interaction between theatre and philosophy in the modernist age proved to be enormously generative for both.