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The Yoruba Are on a Rock focuses on the Africans who arrived in Grenada decades after the abolition of the British slave trade and how they radically shaped the religious and cultural landscape of the island. Rooted in extensive archival and ethnographic research, Shantel A. George carefully traces and unpacks the complex movements of people and ideas between various points in western Africa and the Eastern Caribbean to argue that Orisa worship in Grenada is not, as has been generally supposed, a residue of recaptive Yoruba peoples, but emerged from dynamic and multi-layered exchanges within and beyond Grenada. Further, the book shows how recaptives pursued freedom by drawing on shared African histories and experiences in the homeland and in Grenada, and recovers intriguing individual biographies of the recaptives, their descendants, and religious custodians. By historicising this island's little-known and fascinating tradition, the book advances our knowledge of African diaspora cultures and histories.
This chapter shifts its focus away from Nigeria at large and narrows the discussion down to a more specific area: the coastal regions of Southern Nigeria, with the city of Lagos as the chapter’s focal point. It examines the city’s origin, beginning as a small, relatively insignificant coastal town peripheral to the old and well-established Benin Empire. From humble origins, this chapter will explore the region’s rise to prominence, prompted primarily by the expansion of the Transatlantic Slave Trade. For Lagos specifically, its ascension began at the turn of the nineteenth century. Lagos became a regional center of the slave trade due to the ostracization of the Kingdom of Dahomey, a major exporter of slaves, by European powers. After the center of the slave trade shifted to Lagos, the city and region at large experienced a flurry of economic activity, the details and consequences of which will be explored in detail. The latter half of this chapter will explain the gradual transformation in the trade systems away from the slave trade toward a system of “legitimate” trade, which would facilitate the erosion of indigenous state power and eventual colonial acquisition of Lagos and the Niger Delta area at large.
In the Cause of Humanity is a major new history of the emergence of the theory and practice of humanitarian intervention during the nineteenth century when the question of whether, when and how the international community should react to violations of humanitarian norms and humanitarian crises first emerged as a key topic of controversy and debate. Fabian Klose investigates the emergence of legal debates on the protection of humanitarian norms by violent means, revealing how military intervention under the banner of humanitarianism became closely intertwined with imperial and colonial projects. Through case studies including the international fight against the slave trade, the military interventions under the banner of humanitarian aid for Christian minorities in the Ottoman Empire, and the intervention of the United States in the Cuban War of Independence, he shows how the idea of humanitarian intervention established itself as a recognized instrument in international politics and international law.
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