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Chapter 3 challenges long extant narratives about the ethnic homogeneity of Grenada's liberated Africans. Using archival evidence and M. G. Smith's unpublished field notes, it provides a demographic profile of liberated Africans detailing their ages, genders, ethnicities, linguistic groups, and geographical origins. The chapter argues that examining their backgrounds provides an understanding of their cultural legacies, specifically the African cultures that were carried to Grenada, and how these impacted the formation of African work.
The Yoruba Are on a Rock focuses on the Africans who arrived in Grenada decades after the abolition of the British slave trade and how they radically shaped the religious and cultural landscape of the island. Rooted in extensive archival and ethnographic research, Shantel A. George carefully traces and unpacks the complex movements of people and ideas between various points in western Africa and the Eastern Caribbean to argue that Orisa worship in Grenada is not, as has been generally supposed, a residue of recaptive Yoruba peoples, but emerged from dynamic and multi-layered exchanges within and beyond Grenada. Further, the book shows how recaptives pursued freedom by drawing on shared African histories and experiences in the homeland and in Grenada, and recovers intriguing individual biographies of the recaptives, their descendants, and religious custodians. By historicising this island's little-known and fascinating tradition, the book advances our knowledge of African diaspora cultures and histories.
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