To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge-org.demo.remotlog.com
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Chapter 2 looks at the continuities in perception of the city between antiquity and the later period, looking at representations (images) and panegyrics. In terms of how cities were represented (especially in painting and sculpture), there is striking continuity in the emphasis on the wall circuit with gates and towers as the defining element of the city. The extensive tradition of panegyrics of individual cities (laudes urbium), the models set by Greek and Roman rhetorical manuals, was followed into the Middle Ages. The principal contrast lies in religion, but the economy, politics, and physical structures of the city are treated as belonging to a continuous tradition, and later cities are celebrated for the imitation of antiquity and, above all, of Rome.
The Introduction discusses paideia (culture of Greek intellectuals) and its relevance for fourth-century clergy by providing a background to the Cappadocian Fathers. The chapter defines the meaning of "classical masculinity" for this study and places its treatment of gender into the broader scholarship on late antiquity and Christianity. The chapter outlines key concepts such as aretē (manly virtue), agathos (superior person), and asceticism (self-denial), and introduces agōn (contest or struggle) as the concept around which the book is organized. It also directs the reader to consider the Second Sophistic as the antecedent to the fourth-century culture of epistolary exhibitions. The chapter explains the differences in the Cappadocians’ use of genre and the distinguishing features of epistolography and hagiographic biography. And the Introduction explores identity theory and its usefulness for investigating gender and Christianity.
This chapter explores the role of violent pedagogic practices in the formation of elite males in the later Roman Empire. It draws on the work of the sociologists Pierre Bourdieu and Basil Bernstein to inform an analysis of education’s key role in social and cultural reproduction. Focusing on selected writings of two late-fourth century contemporaries, Libanius and Basil of Caesarea, the chapter suggests that violence of various sorts played a pivotal role in the formation of elite male subjects, whether in the school of the teacher of rhetoric (Libanius) or in monastic training (Basil). Violence played a pivotal role in both the form and content of late Roman education – as well as suffering and inflicting violence on others, students read about and performed violent narratives. The considered cultivation of feelings of fear was viewed as maintaining the pedagogic order and helping to form ideal masculine subjects. Through such experiences and by reflecting on them in pedagogic contexts, students learnt to understand the parameters of legitimate and illegitimate violence, enabling them to protect themselves and their community in a competitive social context.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.