To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge-org.demo.remotlog.com
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Chapter 8 troubles two assumptions in liberated African scholarship. First, it shows that liberated Africans did more than renew and displace pre-existing African Caribbean cultures. Second, it argues that rather than being evidence of the survival of a homogenous group of Yoruba speakers, African work in Grenada has been shaped by interactions with pre-existing Creole cultures. By foregrounding exchange, intervention, and stigmatisation within and beyond the region of the Eastern Caribbean Sea, this chapter shows the ways in which Yoruba cultures were cross- fertilised with the Nation Dance, Roman Catholicism, obeah, saraka, and Indian cultures - thus contributing to the making of African work from the mid nineteenth century.
This chapter introduces African work and lays out the book's key argument: African work in Grenada is not a residue of recaptive Yoruba peoples but emerged from exchanges on and beyond Grenada. It examines the nineteenth-century slave trade, British suppression, the displacement of Yoruba speakers, and the various indentureship schemes in the British Caribbean. It provides a critical examination of the historiography of Grenada's African-derived religious cultures and recaptured Africans and shows how the book re-conceptualises the cultural legacies of recaptured Africans, particularly through 'un-islanding' the Orisa religion. This introductory chapter also outlines the wide range of sources used in the work, such as oral, archival, and ethnographic material.
This chapter introduces the Big Drum through narratives of ‘return’ exploring the ritual as a medium for activating ancestral memories and crafting New World belonging. It is told through the works of two women—Lorna McDaniel and Zakia Sewell. Their works depict and speak to different Big Drum accounts of ’homecoming’, including the ritual’s promise of ancestral return.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.