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Effective mental health primary prevention and early detection strategies targeting perinatal mental healthcare settings are vital. Poor maternal mental health places the developing foetus at risk of lasting cognitive, developmental, behavioural, physical, and mental health problems. Indigenous women endure unacceptably poor mental health compared to all other Australians and disproportionately poorer maternal and infant health outcomes. Mounting evidence demonstrates that screening practices with Indigenous women are neither effective nor acceptable. Improved understanding of their perinatal experiences is necessary for optimizing successful screening and early intervention. Achieving this depends on adopting culturally safe research methodologies.
Methodology:
Decolonizing translational research methodologies are described. Perspectives of Australian Indigenous peoples were centred on leadership in decision-making throughout the study. This included designing the research structure, actively participating throughout implementation, and devising solutions. Methods included community participatory action research, codesign, and yarning with data analysis applied through the cultural lenses of Indigenous investigators to inform culturally meaningful outcomes.
Discussion:
The Indigenous community leadership and control, maintained throughout this research, have been critical. Allowing time for extensive community collaboration, fostering mutual trust, establishing strong engagement with all stakeholders and genuine power sharing has been integral to successfully translating research outcomes into practice. The codesign process ensured that innovative strengths-based solutions addressed the identified screening barriers. This process resulted in culturally sound web-based perinatal mental health and well-being assessment with embedded potential for widespread cultural adaptability.
Suspecting it was more widely known for its sporting prowess than its culture, Australia decided to stage four arts festivals prior to hosting the 2000 Olympics. The first, held in 1997, celebrated the indigenous cultures of the world, with prominence given to Aboriginal Australia. Conceived as the “Festival of the Dreaming,” it featured, in addition to dance, storytelling, and art, performances of Waiting for Godot in Bundjalung. It was hoped parallels between the play’s universal themes and historical Aboriginal experience – a politics of waiting and existential despair – would reveal indigenous culture. In the event, this was not realized. This chapter explores some of the reasons why. Audiences heard Bundjalung spoken but it proved so mellifluous that the expected interplay of antagonism and resignation voiced in English did not take place. Audiences could follow the English text cued as sur-titles but given ignorance of Bundjalung they could not appreciate they were hearing a transliteration. Audiences could see the cast interacting, but they were not aware that the protocols of Aboriginal conversation had been set aside. While the Bundjalung Waiting for Godot was years ahead of its time, it continues to raise issues for the notion of global Irish studies.
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