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This chapter explores the trans-European and international crisis in the immediate post-First World War years, especially in terms of Anglo-French connections, but from the perspective of paradiplomatic negotiations, intellectual cooperation, and the reparative constructive aesthetics of peace. It shows how some of Bloomsbury’s lesser known figures and associates, many of whom in Paris and Versailles at the time of the 1919 treaty were deliberately thinking against the embittered punitive nationalisms of the era, and setting the tone of modernist and Anglo-French cultural exchange to come by engaging in reparative action, transborder experimentation, and intellectual collaboration. It underlines some of the transdisciplinary, interconnected, cross-Channel achievements of the immediate postwar years in terms of artistic praxis, narrative means, and designs for living. Revisiting the works and social achievements of some of the overshadowed mediators, diplomatic envoys, and cultural diplomats of the years 1919–26, it highlights Bloomsbury’s commitment to preemptive peacemaking both sides of the Channel.
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