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Index

Published online by Cambridge University Press:  19 October 2023

Olivia Ferguson

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Caricature and Realism in the Romantic Novel , pp. 255 - 259
Publisher: Cambridge University Press
Print publication year: 2023
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Index

Addison, Joseph, 53, 72, 74–78
Aiken, Henry Thomas, 18
Alexander, J. H., 141
Allan, David, 130
amateur caricature drawing, 12–14, 16–17, 35, 95, 114–115
and the elite, 12–15, 21, 35
and professional graphic satirists, 14–15
Andrews, Richard, 145
anti-caricature, 27–32, 34, 49, 73–77, 81, 93, 97–98, 103, 106–108, 125, 131, 204, 206
and Englishness, 93, 101, 107
and femininity, 93, 98–100
and troppo caricato, 23–25, 27–28, 169
Anti-Jacobin Magazine, 17–18
anti-Semitism, 127, 162–167
Armstrong, Nancy, 129
Arthur Parker (character in Sanditon), 117–119, 121–122
Austen, Cassandra, 95
Austen, Jane, 61, 86, 93–101, 155
Emma, 8, 97, 105, 108, 117
free indirect style, 107
History of England, 95
juvenilia, 108, 120
Mansfield Park, 97, 105, 117–118, 120
Northanger Abbey, 52, 86, 102–103
‘Opinions of Mansfield Park and Opinions of Emma’ (BL Add. MSS. 41253A), 96–98
Persuasion, 108, 112, 115–116, 119–120, 122–123
Pride and Prejudice, 48, 61, 76–77, 97, 105, 110
Sanditon, 105, 107–109, 112–113, 115, 120–122
Sense and Sensibility, 16, 101–104, 117–118, 157
and satirical prints, 94–95
Austen-Leigh, James Edward, 57, 100
autobiography, 39–41
Bacon, Francis, 155, 193
Baker, James, 9, 15
Barbauld, Anna Letitia, 99, 137
Barett, Eaton Stannard, 46
Baretti, Giuseppe
Dictionary of the English and Italian Languages, 3–7, 23, 25, 111–112
Barrell, John, 20
Beattie, James, 28, 71, 74–75, 77
Beauclerk, Diana, 114
beauty, 186–188, 171–173, 176–179
Bell, Vanessa, 14
Berguer, Lionel Thomas, 72, 74, 76
Berlioz, Hector, 25
Blackburn, Jemima, 14
Blackwood, William, 37
Blackwood’s Magazine, 36–42
Bonaparte, Napoleon, 10–11, 195, 205–206
Brontë, Charlotte, 105
Brougham, Henry, 39
Browne, Thomas, 4, 201
Brownstein, Rachel, 95–96, 117, 123
Brunton, Mary, 16–17, 45
Buchan, William, 198–199
Budgell, Eustace, 77, 78
Burke, Edmund, 171, 175–176, 178, 185, 190
Burney, Fanny, 8, 99, 107
Burns, Robert, 71
Burrows, J. F., 106
Butler, Marilyn, 42–43, 45, 106
Butler, Samuel, 27
Byron, 18, 25, 30, 39, 44, 198, 206
Cadogan, William, 197
Campbell, Timothy, 150
Canning, George, 15, 17
caricature
the ‘Age of’, 8–9, 20, 94–96, 114, 204–206
and animals, 180, 184
and contrast, 7, 16, 21, 50, 126, 131–134, 173, 186–188
and cooking, 101, 138, 147
and intimacy, 14, 35, 114
belaboured, 133–135
editorial, 5
ephemerality, topicality of, 20–21, 52, 107, 144–145, 167–168
and the literary canon, vii, 107, 139
of lower-class people, 42–43, 99–101, 105, 136
and novelty, 30, 133, 147
not pictorial, 5–7, 8, 25–26, 111
not satirical prints, 8, 10–11, 19, 204
of oneself, 39, 109–112, 115, 117, 156, 162–164
oral, 6–7, 42
and realism, 29, 34–35, 125, 130, 133, 146
and size, 7, 25, 77, 111–113
and superaddition, 30, 39, 133
and violation, 7, 15, 35, 47–48, 56, 58
and weight, 4, 111–113
taste for, 101, 136, 204–206
textual styling of, 121–123
verisimilitude of, 34, 129–130, 139, 143
caricature studies, 9–10, 94–96
caricature talk, 32–34, 49, 60–62, 65, 69, 71–77, 91, 96, 105, 112, 125, 169, 202, 206
in cooperation with characterisation technique, 50–87, 109, 124–125, 169–183
caricature, term
coincidental resemblance to character, 24
and caricatúra, 3–8, 11–12, 111
earliest usage in English, 4
and overcharged, 7–8, 26, 28, 97, 99, 107, 136–137
Carlyle, Thomas, 149
Carr, John, 43
Carracci family, 11–12, 24
celebrity, 15, 17–18, 35, 114
Chalmers, Alexander, 71, 77, 84
Chambers, Robert, 141–142, 155
Chambers, William, 141
Chandler, James, 204
Chapman, R. W., 108
character sketch, 53, 63, 66, 69
characters, fictive, 30–32, 34, 135
identifiable as portraits of real ‘originals’, 42–48, 69, 73, 139
non-protagonist (‘minor’), 32, 50–52, 63, 71, 74–77, 80–82, 105–108, 124, 131, 133–136, 141–142
originality of, 58, 62, 69, 72–73, 85–86
and parasociality, 74, 80–81
as the property of authors and readers, 58, 72, 77, 84
as real people, 32–34, 49
Clarke, Mary Cowden, 33
Clery, E. J., 205
clothing, 148–150, 155, 186–187
Coleridge, Samuel Taylor, 17, 43, 65, 80, 82
commedia dell’arte, 145
Conder, Josiah, 30
Constable, Archibald, 37, 141
Cooke, Thomas, 201
Cooper, James Fenimore, 137
Cowan, Brian, 55
critical character studies, 32–35, 52–53
and character appreciation, 51, 71–72, 74–76, 82, 93, 110
and character talk, 32, 91, 124–125
and formal realism, 169
Croker, John Wilson, 47
Cruikshank, George, 10, 15, 20
Cruikshank, Isaac, 20
Cruikshank, Robert Isaac, 18, 20
Cunningham, Allan, 137
Darly, Mary, 12–14
De Cervantes, Miguel, 18, 51, 78, 140
De la Bruyère, Jean, 67
De Quincey, Thomas, 40
Defoe, Daniel, 136, 148
deformity, concept of, 155, 169–171, 173–176, 184, 193–194, 199
Dickens, Charles, 117
Dickinson, H. T., 15
disproportion, 31, 115, 122, 152–153, 169–176, 180, 182, 184, 199
Dissenters, 27
Donald, Diana, 9
Doyle, John, 18
Drake, Nathan, 71–72
Dunlop, John, 136
dwarfs and dwarfism, 24, 31, 47–48, 127, 150–155, 169–170, 176–180, 183–186, 195, 199
Dyer, Gary, 43
eating, 112, 117–119, 122
Edgeworth, Maria, 17, 42–43, 46–47, 99, 164–166
Esterhammer, Angela, 140
Euphuism, 143–145, 148
fatness, 94–95, 112–116, 121–123
fat-hating, 113–116, 123–124
femininity, 27
Fergusson, Adam, 47
Fergusson, Robert, 128
Ferrier, Susan, 99, 142
Fielding, Henry, 65, 107, 136, 138
Amelia, 115
Joseph Andrews, 60
Tom Jones, 82
flesh-caricature, 22–23, 26–27, 164, 169, 195, 200, 202–203
Forster, E. M., 100
Franklin, Benjamin, 10
French Revolution, 205
Frow, John, 32–33
Fuseli, Henri, 16, 30
George III, 15
George IV, 15, 38, 113
George, Mary Dorothy, 9
Gibbon, Edward, 114
Gigante, Denise, 170–171
gigantism, 24–25, 28, 127, 152, 154, 172–173, 175–180, 184, 186
Gillray, James, 11, 18–19, 95–96, 123, 195
Godwin, William, 197
Goethe, Johann Wolfgang von, 125, 149
Gombrich, E. H., 11, 12
Gothic, 103
Graglia, Giuspano
New Pocket Dictionary of the English and Italian Languages, 4
Greene, Donald, 95, 107
Grose, Francis, 7–8, 13
grotesque portraiture
pre-caricatúra, 11
Harding, D. W., 109
Harris, Walter, 200
Haywood, Ian, 10–11
Hazlitt, William, 20, 25, 45, 132–133, 160, 162
Hippocratic face, 201–202
historical character, 127, 129, 167
Hogarth, William, 95, 177
Hogg, James, 37, 40–42, 45
Holcroft, Thomas, 22
Home, Henry (Lord Kames), 63–64, 188
Hood, Thomas, 18
horror, 8, 30, 169–170, 177, 181–184, 186, 190, 196, 198, 202–203
Hudson, Jeffrey (inspiration for character in Peveril of the Peak), 152–155, 178
Hugo, Victor, 182, 202–203
humours, 146
Hunt, Leigh, 37–38
Hutton, R. H., 100
imagination, 30, 56–57, 72–73, 108, 133, 178, 181–182, 188, 190
Jameson, Anna Murphy, 32
Jameson, Fredric, 33
Jeffrey, Francis, 25, 61, 145, 149
Johnson, Samuel, 74–75, 77
Jonson, Ben, 144, 146
Joshua, Essaka, 171, 183
Kavanagh, Julia, 98–99
Kay, John, 114, 127–131, 138
Keats, John, 38
Knights, L. C., 33
Lamb, Caroline, 45
Lamb, Charles, 17
landscape, 132–133, 134, 135
Langan, John (inspiration for Castle Rackrent), 42–43
Lascelles, Mary, 106
Lavater, Johann Caspar, 22–23
Le Brun, Charles, 25
Lear, Edward, 14
Lee, Michael Parrish, 117
Levine, George, 29, 183
Levy, Michelle, 108
Lewes, George Henry, 98, 116–117
Lewis, Matthew G.
The Monk, 103, 181
libel, 38, 56, 58–60
Locke, John, 196–198
Lockhart, John Gibson, 37–38, 134
Lukács, Georg, 125
Lynch, Deidre, 23, 32–33, 74–75
Macaulay, Thomas Babington, 8, 99, 107
Mackenzie, Henry, 33
Malcolm, James Peller, 199–201
Martin, John, 133
masculinity, 135
McKeon, Michael, 125
Medwin, Thomas, 44
Meek, Joseph, 79–80
Mendelssohn, Felix, 25
Mercutio (character in Romeo and Juliet), 83, 144
Michelangelo, 25
mimicry, 42
Miss Bates (character in Emma), 8, 74, 85, 97
Mitchell, David, 194
Moers, Ellen, 200
Moi, Toril, 32, 61
Moore, Thomas, 44
Morgann, Maurice, 33, 75
Mr Collins (character in Pride and Prejudice), 34, 74, 76, 85, 97, 107, 110, 117, 124–125
Mudrick, Marvin, 120, 123
Mulvihill, James, 44
Napier, Macvey, 37
national character, 136, 139, 141, 155–167
Nicholson, Eirwen E. C., 9, 15
O’Neill, Michael, 9
Odumosu, Temi, 10
Oliphant, Margaret, 98
Ovid, 66–67
Owenson, Sydney, 46
Paton, Hugh, 129
Patten, Robert, 11, 20
Peacock, Thomas Love, 20, 43–46, 145–146
Pepys, Samuel, 135
personality (OED n. 6b), 36
physiognomy, 44, 115, 163–164, 170, 192–194
moral, 163, 192–194, 201
prognostic, 4, 200–202
picturesque, 101–102, 131, 133, 134, 149
Pollock, W. F., 106
Pope, Alexander, 3
Porterfield, Todd, 10
Posner, Donald, 12
Quakers, 199–200
Radcliffe, Ann, 103, 181
Randolph, Thomas, 59–60
Rauser, Amelia, 10
reading public, 44
of women, 52
realism, 12, 28–29, 32, 34–35, 49, 51, 61–63, 65, 69, 74, 77, 80–82, 86, 91, 93–94, 98, 104, 106–107, 124–125, 127, 134, 148–149, 167–169, 177, 182, 188, 203–204, 206
compendious, 126–127, 131, 135, 150, 167
and elision, redaction, 146
horrid, 86, 169–177, 182–192, 194–195, 200–203
at odds with pictorial caricature, 21
pseudo-sensory enjoyment of, 63–64, 66, 203
Richardson, Samuel, 107
Richardson, William, 33
Ritchie, David (inspiration for The Black Dwarf), 47–48, 141, 153, 155, 179, 202
ritratti carichi, 11–14, 35–36, 114, 129
Robertson, Thomas, 75
roman à clef, 46
Romanticism, 8–9, 11, 33, 39, 57, 131
Rousseau, Jean Jacques, 197–198
Saintsbury, George, 76, 85
satire, 48, 53, 55–56, 59, 60, 91, 93, 113–114, 144
satirical prints, 8–11, 95, 113–114, 129, 195
and the elite, 11–18
literary figures represented in, 17–18
referenced in literature of the Romantic period, 18–19
Scottishness, 19–20
Scott, Walter, 41–42, 61, 65, 76, 86, 104, 130, 176, 202, 205–206
The Black Dwarf, 31, 42, 47–48, 151, 153, 155, 179–180, 184–185, 187
The Bride of Lammermoor, 134, 146
Guy Mannering, 25, 132–133, 135, 141
The Heart of Mid-Lothian, 127–129, 159–162, 167
Ivanhoe, 142, 147–148, 162–164, 166–167
Kenilworth, 150–151, 154
A Legend of Montrose, 148
Magnum Opus, 30, 47–48, 140–148, 153–155, 167, 184
The Monastery, 140–145, 148, 150
Peveril of the Peak, 151–155, 178, 184
The Pirate, 151, 179, 184, 188
Redgauntlet, 129
Rob Roy, 4–5, 31, 130, 135, 153, 156–160, 162, 179–180
Saint Ronan’s Well, 132, 136
The Talisman, 148, 151–152, 155, 180, 185, 187
Waverley, 61, 141
Senior, Nassau, 134, 139, 141
Seward, Anna, 39
Shaftesbury, 10, 148, 188
Shakespeare, William, 76, 205
and character criticism, 33
in character criticism, 75, 82–83
Henry V, 201
Romeo and Juliet, 82–83, 144
Sharpe, Charles Kirkpatrick, 14
Shelley, Mary, 45, 86
Falkner, 193
Frankenstein, 10, 30, 170–176, 180–196, 200–203, 205
Lodore, 193
‘Transformation’, 176, 179–182, 190–192
Shelley, Percy, 43, 45, 173–176
Shön, Theresa, 53
silver-fork novels, 45–46
Simpson, Richard, 100, 107
Sir Piercie Shafton (character in The Monastery), 134, 145, 151
Sir Roger de Coverley (character in the Spectator), 34, 50–51, 71, 76–81, 83–85, 87
Skirving, Archibald, 130
Smollett, Tobias, 136–139, 146
Snyder, Sharon, 194
Southam, B. C., 108
Southey, Robert, 17–18, 43
speech, 143, 148
and dialect, 145–146, 166
Spencer, Lavinia, 114
Stabler, Jane, 95, 109
Steele, Richard, 72–73, 77
Stephens, Frederic George, 9
Sterrenburg, Lee, 194
sublime, 30, 102–105, 133, 177–178, 181, 185, 187
Sutherland, Kathryn, 108
Swift, Jonathan, 60, 174
Taylor, David, 10, 15, 204
Taylor, Ella, 14
Thackeray, William Makepeace, 14
Thaden, Barbara, 107
The Spectator, 50–57, 62–63, 71–73, 77–81, 83–86
Theophrastus, 53, 62, 67–68, 70
Toner, Anne, 108
Trollope, Anthony, 49, 143
Turner, David, 200
uncanny, 22, 110, 153, 180
Walker, George, 130
Walker, Joseph, 145
Ward, Mary, 99
Watt, Ian, 65, 104, 188
Wellington, 17, 129
Wells, H. G., 202–203
Whately, Richard, 98
Williams, Charles, 18
Wilson, John, 36, 40, 44
Winchester, C. T., 81
Wollstonecraft, Mary
Vindication of the Rights of Woman, 5, 8, 26–27, 164, 198
Woloch, Alex, 124
Woolf, Virginia, 14
Wordsworth, William, 39
Youngquist, Paul, 194

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  • Index
  • Olivia Ferguson
  • Book: Caricature and Realism in the Romantic Novel
  • Online publication: 19 October 2023
  • Chapter DOI: https://doi.org/10.1017/9781009274227.014
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  • Index
  • Olivia Ferguson
  • Book: Caricature and Realism in the Romantic Novel
  • Online publication: 19 October 2023
  • Chapter DOI: https://doi.org/10.1017/9781009274227.014
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  • Index
  • Olivia Ferguson
  • Book: Caricature and Realism in the Romantic Novel
  • Online publication: 19 October 2023
  • Chapter DOI: https://doi.org/10.1017/9781009274227.014
Available formats
×