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General Index

Published online by Cambridge University Press:  24 March 2022

Mary Channen Caldwell
Mary Channen Caldwell
Affiliation:
University of Pennsylvania

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Chapter
Information
Devotional Refrains in Medieval Latin Song , pp. 282 - 288
Publisher: Cambridge University Press
Print publication year: 2022

General Index

Adam de la Bassée, 12n26, 193n8, 195n13
Adam de la Halle, 144
Alan of Lille, 18
Anonymous IV, 12n25, 13, 131
antisemitism
in In hac die Dei, 85, 88
in Rois gentis faites ardoir, 204
in the St-Victor Miscellany and Evangile de l’enfance, 205–206
auctoritas, 164–165, 188
Augustine, Bishop of Hippo, 49, 50, 108
authorship, 18–20, 220, 224
baculus, staff, 52, 62
Bakhtin, Mikhail, 79
ballette à refrain, 197–201
Barba, Johannes, 212–213
Basoches, Gui de, 56–57, 62n94
Bassée, Adam de la, 12n26, 193n8, 195n13
beguines, 204–205, 207
Benedicamus Domino
song-trope, 5, 32n17, 62, 74–78, 112, 113–114, 116, 132, 134–137, 158, 159, 163–164, 178, 234
versicle, 6, 7, 74, 150, 158, 163, 166n38
Blason, Thibaut de, 193n8
Boethius
Division of Music in F (musica universalis, humana, and instrumentalis), 142–144
boy bishop, 20, 21, 32, 39, 46, 52
Boynton, Susan, 48
Burke, Peter, 110
Butterfield, Ardis, 47, 105, 141n74, 202
cantilena, 1, 4, 5, 14, 17, 27, 32, 41, 50, 51, 93n51, 195n13, 120, 220
cantio, 1, 41, 234
cantus, 14
carol
Christmas, 234–235
Christmas carol, 73
English, 145, 234
carole, 142
cauda, 7, 8, 131
chanson de geste, 67, 68n11, 91–92, 101
chanson de rencontre, 204n28
chant
antiphon, 89–90
borrowing and reworking, 151–157
epistle, farsed, 91, 92, 102
hymn, 6, 33, 150, 171, 207, 208, 211, 215–216, 233–234
borrowed, 151
doxology, 163–164
processional, 105
troped, 28, 113n26
sequence, 6, 33, 67, 91, 93, 150, 158, 159, 165n35, 190, 207, 208–211, 215, 233–234
borrowed, 151–157
trope, 6, 12, 44, 64, 109, 113, 132, 158, 175, 178, 185n51, 207, 233
Chobham, Thomas, 101
Christ, 26, 28, 42
and time, 70–90, 102
creature symbolism, 124
floral symbolism, 36
chronotope, 79–81, 84, 102–103
Clement of Alexandria, 108
Clement of Rome, 108
clergy
as creators of refrain songs, 18, 25n5, 64, 149, 231
as dancers, 21, 138–145
as singers, 19, 20, 43–44, 106–109, 116, 118–121, 149, 219–220, 231
cantor, 61–62, 125
choirboys as singers, 45–46, 137
clericuli, 19, 20–21, 30, 51, 118, 132, 133, 137, 139n67
clericuli as dancers, 51, 140
community, 105, 231
contio/concio, 118–119, 160–163
presuli, 20–21
pueri, 20–21, 46, 116, 118, 133, 134–135, 137n61, 179
Coinci, Gautier de, 193n8, 194
Miracles de Nostre Dame, 194
Colledge, Edmund, 224, 225
condemnation
of dance, 41
of music, 40–44
of New Year’s festivities, 49–50, 54
conductus, 1, 2, 4, 5, 10–15, 18, 25n5, 26n7, 27–28, 34, 41, 48, 51n72, 52, 62, 68n11, 85n36, 101, 107, 111–112, 114, 116, 118, 121, 128–129, 130–131, 151, 154, 165, 171, 195n13
Connor, Steven, 108–109, 146n86
contrafacture, 4, 9, 12n26, 38n34, 71n19, 125n41, 159–163, 178, 190–196, 229–230, 233
of chant, 207
and dance, 140–142
in the Engelberg Codex, 207–215
in the Red Book of Ossory, 215–229
in the St-Victor Miscellany, 196–207
Crocker, Richard, 108
dance, 22
clerical dance song, 21, 45–46, 51, 85, 106, 138–145, 235
images in F, 144
as metaphor for social harmony, 142–144, 147
refrain as marker of dance song, 22, 34, 67n7, 140
ring dance, 34, 50, 144
and seasons, 24–26
and vocabulary, 158
Dante Alighieri
De vulgari eloquentia, 14n31
Deeming, Helen, 2, 194n10
Discantus positio vulgaris, 13
dit enté, 200–203
Drummond, Henry T., 99n64
Eberhard of Béthune
Graecismus, 16
Engelberg (abbey), Swizterland, 191, 207, 230
Ensemble Labyrinthus (ensemble), 21
Eudes Rigaud
Regestrum, 41–44
Evangile de l’enfance, 205–206
Everist, Mark, 2, 8, 11, 93, 101
exordium, seasonal (Natureingang), 24, 25n4, 37, 54–63
expulsion of Jews from France (1306), 205, 206n37
Falck, Robert, 196
Fassler, Margot E., 48
feasts
Boy Bishop, 20–21, 31–32, 39, 46, 52, 57n83, 139n66
Circumcision, 6, 20, 27, 33, 39, 47–63, 78, 104, 112, 113n26, 116, 122, 125, 139n67, 185
Easter, 24, 30, 33, 38, 39, 85, 90, 102, 120, 122, 125, 141, 144, 150–157
Epiphany, 32, 36, 39, 222
Feast of the Ass, 48–49
Feast of Fools, 47–48, 52
Feast of the Staff, 47–48, 52, 59, 62
Holy Innocents, 20, 41, 137n61
Mary Magdalene, 41
Nativity, 20, 24, 27, 32, 36, 37, 51, 70–84, 102, 175, 176, 208, 220
New Year, 25, 26, 39, 48–63, 64, 104, 125, 234
Pentecost, 26, 208, 211
soundscape of, 44
St. Hildevert, 41
St. John the Baptist, 24, 25, 41
St. Katherine of Alexandria, 41
St. Nicholas, 20–21, 24–27, 32, 39, 41, 46, 196
St. Stephen, 41, 92, 134, 135
festa ferianda, 40
Festive Year, 39–40, 45, 102
form
linear vs. cyclical, 65, 67–69
modularity, 74–84, 95–99, 102, 182, 183, 232
rondellus, 1, 5, 9–11, 12, 14–15, 21, 24, 27, 28–30, 33–38, 39, 40, 67n7, 85, 87, 99, 103, 111, 119, 127–130, 131–137, 138, 140–141, 146, 151–157, 183, 190, 193, 208–215, 216, 225–228
strophic+refrain, 8–9, 10, 73, 131–137, 141, 146, 208
formes fixes, 42, 212, 216
Frith, Simon, 67n9
Garlandia, Johannes de, 13, 14–16
De mensurabili musica, 14–16
Gautier de Coinci, 193n8, 194
Miracles de Nostre Dame, 194
genre, 1–2, 4–10, 11, 13–16, 22, 25n4, 30, 41, 67–68, 81, 84, 102, 105, 140n69, 149, 150, 157, 164, 187, 194, 208
Gerald of Wales
refrain, 17, 18
gift giving at New Year, 50, 54n81, 62–63
Gougaud, Louis, 24, 26
grammar
imperative, 88, 95, 99, 112, 119, 202, 206n35
noun declension, 60–61
noun–adjective declension, 60–61
plural, 87, 109–121, 146, 148n2
rhetorical use, 106–107, 212n48
subjunctive, 119, 158, 202
Grocheio, Johannes de, see Johannes de Grocheio
Gröninger, Eduard, 25n5
Gui de Basoches, 56, 57, 62n94
Guillaume de Machaut, 145
Guillem Molinier
Las Leys d’amor, 14n31
Haines, John, 34n22, 119n33, 140n69
farsed epistle, 91–92
Halle, Adam de la, 144
Harris, Max, 47–48
Haug, Andreas, 2–3, 7, 8, 22n62
virtual refrain, 3, 7–8, 49, 54, 106n4, 109n15, 148n2
Herrad of Landsberg, abbess, 57
hic et nunc, “here and now,” 69–70, 85, 88–89, 90, 97, 99, 100, 103
Hollander, John, 65, 66, 68, 103, 148
Honorius of Autun, 144
intermusicality, 144, 149, 165
intertextuality, 54, 90, 105, 141, 149, 150–165, 187, 188, 191, 203, 217, 231
Isidore of Seville, 50
Iversen, Gunilla, 158
Jacobus de Voragine, Legenda aurea, 95–96
Jean Renart
Le Roman de la Rose, 141
Jehannot de Lescurel, 200–201, 203
Jeu d’Adam, Tours 927, 10–11
Johannes Barba, 212–213
Johannes de Garlandia, 13, 14, 16
De mensurabili musica, 14–16
Johannes de Grocheio
Ars musice, 14
cantus gestualis, 91–92, 101
refrain, 17, 201
Johannes de Perchausen, 19, 30, 43, 45–46, 57, 64, 132, 133, 139n66, 231
Kornrumpf, Gisela, 213–215, 228
Lady Music
in frontispiece of F, 142
laity
as performers, 20
and festa ferianda, 40n39
Latin
as a language, 110, 190
Le Livre d’amoretes, 200n20, 203
Lebeuf, Jean, 141n77
lectio publica, 101, 233
lectionary formula, 57n82, 74, 107, 116, 164, 166n38, 178, 182n48
Ledrede, Richard (Bishop of Ossory), 19, 32, 47, 64, 139n66, 218–220, 224, 225, 230, 231
Lescurel, Jehannot de, 200–201, 203
letters (in St-Victor Miscellany), 196
Libertas Decembrica, 39, 47
Limburg Chronicle, 213, 214
liturgy, troped, 6, 12, 33, 44, 45, 47–48, 49, 51–52, 57, 63, 91n42, 112, 113n26, 114–118, 122, 125–126, 139n67, 185
locus amoenus, 25n4, 54n81
Louis IX of France, 205
Lower Style, 14n31, 140
Ludus paschalis, Tours 927, 11
Ludus super Anticlaudianum, 195n13
lyric
choreographic meaning, 21, 138
English, 187, 215–229
French, 196–207
German, 207–215
Machaut, Guillaume de, 145
manuscript sources
Antiphonarium Lausannense, 132n54, 134–137
Aosta Cod. 11, 74, 132n54, 176–177, 178
Aosta Cod. 13, 74, 132n54, 176–177, 178
Aquitanian versaria, 12, 26n7, 159, 160, 175
Arundel 248, 195n13
Autun S 17510, 137n61
Basel B.XI. 8, 163n30, 193n8
Bobbio, 11, 28
Bord 283, 127–128
Cambridge Songs, 6n11
Cantigas de Santa María, 99n64, 141
Carmina Burana, 6n11, 17, 26n8, 57, 159
Chansonnier de Clairambault, 193n8
Chansonnier de Noailles, 204
Codex Calixtinus, 11, 91n42, 112, 113n26, 114–116, 118, 135, 137
compilation, 10–12, 26–33, 146, 216, 219–220, 224, 232–233
Douce 308, 197–200, 201, 202n24, 203, 204n28
Engelberg 102, 182
Engelberg Codex, 11, 12n26, 17n43, 23, 35n27, 74, 76n24, 81, 122–125, 127n44, 132n54, 160, 163, 191–192, 193n8, 195, 207–215, 216, 224, 228, 229, 230
Erfurt Codex, 12n26, 212–213
F, 9n21, 10–11, 12, 21, 22, 24, 28–30, 33–38, 39, 40, 43, 52n73, 57, 62–63, 71–74, 84, 85, 90, 111–112, 119n33, 127, 130, 137, 138–145, 147, 151–157, 186n52, 212, 216, 234
Fauvel, 200–201, 203
Graz 258, 11, 12, 17n43, 165–187, 188
Graz 409, 11, 12, 133n58, 165–187, 188
Hortus Deliciarum, 18n50, 57–59, 183
Later Cambridge Songbook, 12, 43, 120, 159, 163
Le Puy A, 51, 61, 112, 113n26, 116–118, 122, 125–126, 139n67, 185
Le Puy B, 51, 112, 113n26, 122, 125–126, 185
Llibre Vermell, 19n53
LoA, 51, 132n57, 163n30
LoB, 12n26, 127
Ludus super Anticlaudianum, 12n26, 195n13
Mad 19421, 12, 74
Mad 288, 12
Mad 289, 12, 76–79
Metz 535, 204n28
Moosburger Graduale, 11, 12, 17n43, 19, 20, 21, 30–33, 39, 43, 45–47, 57, 59, 63, 120, 127n44, 132, 133, 176, 177, 183n49, 186, 234
MüC, 93n51
Munich 21053, 62
Munich Cg. 42, 141n73
Munich cgm. 1113, 213
OBod 937, 11, 12n26, 28, 85
ORawl, 127n44, 195n13
Paris lat. 11331, 195n13
Paris lat. 1154, 6n11
Red Book of Ossory, 11, 12n26, 19–20, 23, 32–33, 45, 47, 191–192, 193n8, 195, 215–229, 230, 234
Saint Omer 351, 11, 12
Seckauer Cantionarium, 132–134, 135, 178–179
Sens 46, 47n54, 51, 52n74, 62, 163n30
service books, 12, 20, 175, 176
SG 1397, 182n48
SG 382, 17n44
SG 392, 17n44, 122, 132n54, 176, 178–179
St. Pölten Processional, 11, 17n44, 28, 106–108, 109, 133n58, 163n30, 164, 183, 186
St-M A, 12, 43, 60, 76n23, 78n27, 112, 119, 125–126, 159–163, 182
St-M B, 12
St-M C, 12, 106n4
St-M D, 12, 127n44, 141
Stuttg, 18n50, 33n21, 112, 113–114, 160–163, 182
StV, 127n45
St-Victor Miscellany, 11, 12, 42, 43, 93–102, 118n32, 191–192, 193n8, 194–195, 196–207, 208, 214, 216n59, 220, 224, 225, 226n82, 228, 229, 230
Tours 927, 10–11, 12n26, 30, 35, 43, 44, 52n73, 57, 62–63, 85, 127, 129, 151–157, 212
transmission, 2, 4–5, 6n11, 8, 10–13, 26–33, 74–84, 127–130, 140–142, 149, 165–187, 190–192, 225, 231–234
Trouv P, 193n8
W1, 127–131
W2, 141n73
Wienhäuser Liederbuch, 18n50, 160–163
Margulis, Elizabeth Hellmuth, 149, 157–158
Martin le Beguin, 204n28
Matthew Paris, 79–81
Maurice of Sully, Bishop of Paris, 50
McHale, Brian, 68
memory and refrains, 103, 148–149, 150, 154, 157, 158, 165, 174, 187–189, 193–194, 214–215, 230, 231, 235
earworms, 188, 230
Molinier, Guillem
Las Leys d’amor, 14n31
motet, 3, 10, 28n11, 33n20, 41, 105, 141, 150, 151n8, 190, 204–205
mouvance, 148, 158, 163, 231, 233
multilinguality
and the afterlife of the Latin refrain song, 234
in Ireland, 224–225
in song communities, 192
in the Engelberg Codex, 208, 214
in the Red Book of Ossory, 215–229
in the St-Victor Miscellany, 196
of scribes, copyists, and compilers, 230
musical notation
absent, 5, 19, 32, 57, 74, 81, 93, 100, 112, 127, 141, 160, 165–187, 191–192, 196–207, 208, 212, 213–214, 215–229
of dance songs, 21
format, 122
mensural, 8, 178–179
neumatic, 57, 58, 112, 114, 132, 160, 165, 171
rhythm, 8, 13, 69
musical texture, 121–131
emphasis on polyphony over monophony in theory treatises, 13
monophonic and polyphonic settings of Luto carens et latere, 127–130
monophony, 7, 10–11, 13–14, 28, 74, 107–108
monophony alternating with polyphony, 116–118, 121–131, 178–179
polyphonic setting of Congaudeat turba fidelium, 74, 81
polyphony, 7, 13–16
successively notated polyphony in Annus novus in gaudio, 59, 125, 137
musicking, 232
narrative, pictorial, 91, 97–99
narratology, 67
Nelson, Ingrid, 187
Notre Dame, Cathedral (Le Puy), 51
Notre Dame, Cathedral (Paris), 21, 43–44, 64, 121n37, 155, 156
nova cantica, 1n1, 4, 5, 6n12, 6n14, 8n18, 12, 26n7, 41, 59n87, 91, 110n16, 158, 239
as metaphor, 52–53
Odington, Walter, 13
Odo of Sully, Bishop of Paris, 50
Office Hours, 28
Lauds, 52
Matins, 106–107, 112, 116–118
Vespers, 61, 87, 89, 134, 137
orality
and the Latin refrain, 232–233
and the transmission of Congaudeat turba fidelium, 81, 84
O’Sullivan, Daniel E., 192n6, 228n85
Page, Christopher, 8, 140n70
paratext, 40, 45, 191, 192, 195, 216, 228, 229, 230, 233
Paris, Matthew, 79–81
Peraino, Judith, 3n6, 14n31, 108
Perchausen, Johannes de, see Johannes de Perchausen
performance, 1–2, 4, 17, 18–22, 25–26, 26–33, 63–64, 65–66, 69–70
alternative contexts, 233
call-and-response, 105
collective, 99–100, 146
modern, 8
modern recording, 235
responsorial, 105–106, 107, 109, 114, 116, 117, 121, 131–137, 146, 150, 182
Peter of Blois, 18
Philip III of France, 205
Philip IV of France, 205
Philip the Chancellor, 13, 18, 111
planctus, 1
poetic register, 14n31, 33, 38, 40, 109, 140, 194–195, 207, 212, 229, 230, 233
prefix, “re-,” 1, 17
printed sources, 1, 5–6, 234
Piae Cantiones, 12, 176, 177, 233
prosa, 1, 4, 5, 134
quasi una voce, 106–109, 110, 118, 121, 125, 137, 145, 146
refrain, French, 3–4, 13, 22, 68n12, 99, 100, 104n1, 105, 112n22, 141, 149, 150, 164, 188, 193n8, 194, 196–207, 220, 225, 226n82, 229, 230
italicization, 3n6
refrain, Latin
annus novus, 54–63, 148n2, 157
apparuit, 171–174, 175–179, 182, 183
eia et eia, 182–186
gaudeamus, 34, 111–119, 121, 125, 148n2
gaudeat ecclesia, 119–121, 179, 128
gaudeat, 179–185
in bethlehem, 76–84
psallat cum tripudio, 119, 158–165, 174, 176, 178, 182
sonet vox leticie, 185–186
refrain, secular, see secular refrains
refrain, terminology
epimone, 16
interscalares uersus, 16
refectorium, 18
reflecto, 17
refractoriam, 18
refractus, 14, 17
refringere, 14
repetitio, 14–16, 17, 122, 131, 132, 171
responde, 17
respondere, 17
responsorium, 14, 17
Renart, Jean
Le Roman de la Rose, 141
Renart le Nouvel, 200, 203
rhetoric
and music, 14, 15–16
and refrains, 16
rhetoric, figures, 14–16
annominatio, 59, 60
colores, 14–16
epimone, 16
traductio, 59
Richard Ledrede (Bishop of Ossory), see Ledrede, Richard
Richard of St-Victor, sermons, 52–54, 57, 59, 63
Rillon-Marne, Anne-Zoé, 2, 144
rithmus, 5–6, 8, 50, 54, 186n52, 196
Rokseth, Yvonne, 21, 138
rondeau, 190
English, 194, 225–228, 230
French, 9–10, 22, 119, 131, 140, 144, 190, 204, 211, 225
German, 194, 208–215, 228, 230
Latin, 9–10, 14, 73, 140, 216n60
rondellus, as form, see form
rondellus, as voice exchange, 9n20, 14, 15
rondet, 131, 141
rotundellus, 201
rubrication and cueing, 4, 20, 106, 131, 233
and contrafacture, 191–192, 230
of dance, 139n67, 140
in the Engelberg Codex, 122–125, 208–215
in Exultantes in partu virginis, 118
in Graz 258 and 409, 166–175
in the Moosburger Graduale, 30, 46, 57, 186
in Presens festum laudat clerus, 107
in the Red Book of Ossory, 32, 47, 216–229
in Salve festa dies veneranda, 116
as scribal paratexts in St-Victor Miscellany, Engelberg Codex, and Red Book of Ossory, 195–196
in Seckauer Cantionarium and SG 392, 178–179
in Sens 46, 62
of shared refrains, 175–187
in St-Victor Miscellany, 196–207
strophic+refrain form, 132–137
written vs. unwritten, 188
Saint-Martin (church), Tours, 50–51
saints
All Saints, 93
lives (vitae), 67, 90–102
St. Denis, 93, 95, 97, 102
St. James, 112, 114
St. John the Baptist, 93, 102n69
St. John the Evangelist, 208
St. Katherine of Alexandria, 93, 95–96, 97–99, 102
St. Margaret, 208
St. Michael, 208
St. Nicholas, 20, 21, 27, 28, 32, 41–44, 93, 95, 96–97, 100, 102, 196
St. Stephen, 91–93
Saltzstein, Jennifer, 105, 203, 204n28
seasons, 24–26, 33, 36, 39, 57, 66, 69, 110
dancing season, 24–26
Easter and springtime, 33–38
equinoxes and solstices, 39–40
liturgical, 26–27, 32, 33, 39, 44, 163, 234
seasonal festivity, 39–40
spring, 24–25, 26–27, 39, 54
secular refrains, 26n8, 233
Sequentia (ensemble), 129n48
Spanke, Hans, 9
St. Boniface, 50
St. Lambrecht (abbey), Austria, 165, 179, 185, 186
St. Mary (collegiate church), Aachen, 212
St. Mary Magdalene (church), Besançon, 141
St-Denis (abbey school), 196, 230
Stevens, John E., 43n45
dance song, 21
narrative song, 66–67, 91
Switten, Margaret, 3, 111n19, 112n23, 182
temporality
temporality, 73, 103
calendar time, 26–33
Christ’s time, 70–90, 102
discipline, 39–48
linear vs. cyclical, 66–68, 69, 102–
and musical time, 69
narrative time, 66–70
of the New Year/1 January/Circumcision, 48–63
sacralization of time, 64
saints’ time, 90–93, 102
temporal plurality, 24–26, 33–38, 48–63
theory, music, 13–16, 120, 144
Thibaut de Blason, 193n8
Thomas Chobham, 101
Tilemann Elhen von Wolfhagen, 213
Troyes martyrdom (1288), 206n37
University of Paris, 44, 50, 95
vernacular, 2–4, 24, 44, 50, 67, 90–91, 95n57, 101, 190
in the liturgy, 91, 92, 102, 207–208
song and refrain, 2–4, 10, 12n26, 14–15, 17–18, 22, 33, 37, 40, 48, 54n81, 57, 71n19, 91–92, 104, 138–142, 191–192, 193–196, 229–230, 232–235
textual residue, 192
translation, 235
versus, 1–6, 8n18, 26n7, 27, 51n72, 59–62, 111n19, 112n23, 119, 129, 163–164
virelai, 41–44
Virgin Mary, 26, 28, 32, 33, 41, 51, 71, 93, 208, 211, 234
in Dies ista colitur, 33
in Ecce mundi gaudium and Congaudeat turba fidelium, 74, 79, 84
in Procedenti puero, 79
in refrain of Ecce mundi gaudium, 71–74
refrains in Stuttg, 113
voice
and movement, 145
choric, 109, 121, 137, 146
of bells, 65–66
of bird, marker of spring, 37–38
sober, 25, 34, 35, 38, 39, 62, 140
Voragine, Jacobus de
Legenda aurea, 95–96
Walter Odington, 13
Walter of Châtillon, 12, 18
Walter of Wimborne, 219n61, 220
Wolfhagen, Tilemann Elhen von, 213
women
as dancers, 21, 40, 138
as singers, 18n50, 20n54, 41, 57–59, 233

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  • General Index
  • Mary Channen Caldwell, University of Pennsylvania
  • Book: Devotional Refrains in Medieval Latin Song
  • Online publication: 24 March 2022
  • Chapter DOI: https://doi.org/10.1017/9781009043298.011
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  • General Index
  • Mary Channen Caldwell, University of Pennsylvania
  • Book: Devotional Refrains in Medieval Latin Song
  • Online publication: 24 March 2022
  • Chapter DOI: https://doi.org/10.1017/9781009043298.011
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  • General Index
  • Mary Channen Caldwell, University of Pennsylvania
  • Book: Devotional Refrains in Medieval Latin Song
  • Online publication: 24 March 2022
  • Chapter DOI: https://doi.org/10.1017/9781009043298.011
Available formats
×