Hostname: page-component-cb9f654ff-r5d9c Total loading time: 0 Render date: 2025-09-01T12:29:35.093Z Has data issue: false hasContentIssue false
  • English
  • Français

Le Gandi: UN Simandre Tibétain D'Origine Indienne

Published online by Cambridge University Press:  07 March 2019

Mireille Helffer
Get access Rights & Permissions [Opens in a new window]

Extract

Le gandi auquel font référence aussi bien les récits relatifs aux vies antérieures du Buddha que les textes les plus anciens du bouddhisme apparaît comme un instrument destiné à transmettre des messages aux moines ou aux reclus. Ces textes ne fournissent pas, à ma connaissance, de description précise du gandi, si bien que, au cours des âges et quelle que soit la langue considérée, les traductions ont hésité entre diverses catégories d'instruments: cloches, gongs, tambours.

Information

Type
Articles
Information
Yearbook for Traditional Music , Volume 15 , 1983 , pp. 112 - 125
Copyright
Copyright © 1983 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

Bibliographie

Ouvrages tibétains citésGoogle Scholar
Tibetan Tripitaka, Peking edition.Google Scholar
Suzuki, Daisetz T. (ed.)Google Scholar
Tokyo: Tibetan Tripitaka Research Institute, 1955.Google Scholar
Bka - ‘gyur/ mdo-sdeGoogle Scholar
gandi'i m do (= Sutra du gandi)Google Scholar
Tibetan Tripitaka, Vol. 38, pp. 300–301.Google Scholar
Bka - ‘gyur/ mdo-sdeGoogle Scholar
gandi'i dus kyi mdoGoogle Scholar
Tibetan Tripitaka, Vol. 38, p. 301.Google Scholar
Bka - ’ gyur/ mdo-sdeGoogle Scholar
khar-sil ‘chang-pa'i kun-tu spyod-pa'i cho-gaGoogle Scholar
Tibetan Tripitaka, vol. 39 N°1002.Google Scholar
Bka -'gyur/ ‘dul-baGoogle Scholar
gso-sbyong gi gzhi'i sdom-laGoogle Scholar
Tibetan Tripitaka, Vol. 41, pp. 53–56.Google Scholar
Bstan-'gyur/ bstod tshogsGoogle Scholar
gandi'i bstod-pa chigs-su bcad-pa (= Louange du gandi)Google Scholar
Tibetan Tripitaka, vol. 46 N°2040, p. 86.Google Scholar
MahāvyutpattiGoogle Scholar
edition Sakaki, 1916 (réédition 1962).Google Scholar
‘Jam dbyans bzhad-pa'i rdo-rjeGoogle Scholar
gsun-'bum, vol. 6 (CHA), pp. 661–672Google Scholar
ed. Gedan Sungrab Myniam Gyunphel series, Vol. 45, Delhi, 1973.Google Scholar
‘dul-ba'i gzhung-lugs kun gyi snying-po sdoms kyi tshigs-su bcad-pa blo-gsal mgu-ba bskyed-pa'i ngo-mtshar ‘phrul-gyi me-long (titre abrégé ‘dul-sdoms).Google Scholar
sans nom d'auteurGoogle Scholar
Rnam-rgyal gzungs-chen (titre abrégé servant à désigner le Gshen-rab rnam-par rgyal-ba yid-bzhin nor-bu rin-po-che dpal-mgon rgyal-po'i gzungs) Gter-ma rediscovered by Go-lde ‘phags-pa G.yun-drun ye-śes, alias Gshen-gsas lha-rje (born 1215).Google Scholar
ed. by Gyatso, Khedup, New-Delhi, 1972.Google Scholar
‘Gos Lotsava Gzhon-nu-dpal (1392-1481)Google Scholar
The Blue Annals (Texte tibétain)Google Scholar
New-Delhi: International Academy of Indian Culture, 1976.Google Scholar
(Sata Pitaka Series, Indo-Asian Literatures, vol. 212. ed. Chandra, Lokesh.)Google Scholar
Mñam-med śes-rab rgyal-mtshan (1356-1415)Google Scholar
Rnam-'dren rgyal-ba'i dban-po Mñam-med chen-po sogs bla-ma sgrub-pa'i las-tshogs kyi gsun-pod.Google Scholar
ed. Tibetan Bonpo Monastic Centre, 1973.Google Scholar
Khetsun SangpoGoogle Scholar
Biographical dictionary of Tibet and Tibetan Buddhism. Dharamsala, 1980.Google Scholar

Ouvrages de référence en langues européennes

Cowell, E.B. ed. Jataka stories, ed. by the Pali Text Society, repr. Luzac and C°, 1969, in UNESCO Collection of Representative Works. 4 vols.Google Scholar
Feer, L. du Kandjour, Analyse et du Tandjour, , in Annales du Musée Guimet, Tome 2, Paris, 1881.Google Scholar
Karmay, Samten G. A catalogue of Bonpo publications. Tokyo: The Toyo Bunko, 1977.Google Scholar
Lesure, Fr., éd. “Pierre Trichet's Traité des instruments de musique: supplement (continued); Du simandre et du fer sainct des chrestiens grecs et puis de la cresserelle”, The Galpin Society Journal 16:73–84, May 1963.Google Scholar
Lessing, F.D. Yung-ho-kung. An iconography of the lamaist cathedral in Pekin, in Reports from the scientific expedition to the N.W. provinces of China under the leadership of Sven Hedin, VIII/ Ethnography 1, Stockholm, 1942.Google Scholar
Levi, Sylvain. “Autour d'Aśvaghosa,” Journal Asiatique 215:255–287, 1929.Google Scholar
Marcel-Dubois, Cl. Les instruments de musique de l'Inde ancienne. Paris: P.U.F., 1941.Google Scholar
Moule, A.C. “A list of the musical instruments and other sound-producing instruments of the Chinese,” Journal of the North-China branch of the R.A.S. 39:1–160, 1908.Google Scholar
Prip-Moller, J. Chinese Buddhist monasteries: their plan and its function as a setting for Buddhist monastic life. Copenhagen, 1937.Google Scholar
Roerich, G.N. de. The Blue Annals, repr. Delhi: Motilal Banarsidass, 1979.Google Scholar
Sachs, C. Reallexicon der Musikinstrumente. Berlin, 1913, repr. Olms, 1964.Google Scholar
von Staël-Holstein, , Fan-tsan, Kien-ch'ui (Gandīstotragātha). St Petersbourg, 1913. (Bibliotheca Buddhica, XV.) (En russe)Google Scholar
Vandor, Ivan. “Le gandi: un instrument de musique de l'Inde bouddhique récemment identifié dans un monastère tibétain,” The World of Music 1:49–50, 1975.Google Scholar