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Mary D. Garrard. Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art. Princeton, New Jersey: Princeton University Press, 1989. xxi + 607 pp. 332 illus. + 24 color plates. $49.50.

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Mary D. Garrard. Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art. Princeton, New Jersey: Princeton University Press, 1989. xxi + 607 pp. 332 illus. + 24 color plates. $49.50.

Published online by Cambridge University Press:  20 November 2018

Elizabeth Cropper
Elizabeth Cropper*
Affiliation:
The Johns Hopkins University
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Reviews
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Renaissance Quarterly , Volume 42 , Issue 4 , Winter 1989 , pp. 864 - 866
Copyright
Copyright © Renaissance Society of America 1989

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References

1 See, for example, Anthony Molho's article “Deception and Marriage Strategy in Renaissance Florence: The Case of Women's Ages,” Renaissance Quarterly 41 (Summer, 1988), 193-217, for suggestions from an earlier period about why Orazio lied about his daughter's age, and on the fear of exposing daughters to premarital sex, consenting or not.

2 Even the date of Artemisia's mother's death is omitted here. For the family's history readers still need to turn to R. Ward Bissell's fundamental archival study of 1968.