Hostname: page-component-6bb9c88b65-lm65w Total loading time: 0.006 Render date: 2025-07-24T06:08:41.167Z Has data issue: false hasContentIssue false
  • English
  • Français

SamBop NYC: Brazilian Jazz in New York City during the New Millennium. By Marc Gidal. New York: Oxford University Press, 2024. 253 pp. ISBN 0197619053.

Review products

SamBop NYC: Brazilian Jazz in New York City during the New Millennium. By Marc Gidal. New York: Oxford University Press, 2024. 253 pp. ISBN 0197619053.

Published online by Cambridge University Press:  14 July 2025

Jonathan Dimond Open the ORCID record for Jonathan Dimond [Opens in a new window]
Jonathan Dimond*
Affiliation:
Department of Arts, Education & Agritech, https://ror.org/04cq7wg91 Melbourne Polytechnic , Fairfield, VIC, Australia jon@jonathandimond.com
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Information

Type
Review
Information
Popular Music , First View , pp. 1 - 3
Check for updates
Copyright
© The Author(s), 2025. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

Adorno, T.W. 1991. ‘Culture industry reconsidered’, in The Culture Industry: Selected Essays on Mass Culture, ed. Adorno, T.W. and Bernstein, J.M. (London, Routledge), pp. 98–106Google Scholar
Born, G., and Hesmondhalgh, D. 2000. ‘Introduction: on difference, representation and appropriation in music’, in Western Music and Its Others: Difference, Representation, and Appropriation in Music, ed. Born, G. and Hesmondhalgh, D. (Berkeley, University of California Press), pp. 1–58Google Scholar
Kraidy, M.M. 2002. ‘Hybridity in Cultural Globalization’ in Communication Theory (Oxford, Oxford University Press), pp. 316–339Google Scholar
Piedade, A.T.C. 2003. ‘Brazilian jazz and friction of musicalities’ in Jazz Planet, ed. Atkins, E.T., (Jackson, University Press of Mississippi), pp. 41–58Google Scholar
Rogers, R.A. 2006. ‘From cultural exchange to transculturation: a review and reconceptualization of cultural appropriation’, in Communication Theory (Oxford, Oxford University Press), pp. 474–503Google Scholar