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The power ballad

Published online by Cambridge University Press:  12 October 2012

David Metzer
David Metzer*
Affiliation:
School of Music, University of British Columbia, 6361 Memorial Road, Vancouver, BC V6T 1Z2, Canada E-mail: david.metzer@ubc.ca
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Abstract

The power ballad has become a mainstay of popular music since the 1970s. This article offers a history of the songs and discusses their place in the larger field of popular music genres. The songs are defined by the use of both a musical formula based on constant escalation and an expressive formula that combines the euphoric uplift created by rousing music with sentimental themes and ploys. Contrary to views that power ballads first appeared in 1980s rock and are primarily rock numbers, the songs emerged in the 1970s pop recordings of Barry Manilow and others, and from early on crossed genre lines, including pop, rock and R&B. These crossings result in an exchange between the fervour of the power ballad and the distinct expressive qualities of the other genres. This article also places the power ballad in the larger history of the ballad. The songs are part of a shift toward more effusive and demonstrative styles of ballads underway since the 1960s. In addition, the emotional excesses of the power ballad fit into a larger change in the expressive tone of works across different popular culture media. With those works, emotions are to be large, ecstatic and immediate.

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Articles
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Popular Music , Volume 31 , Issue 3 , October 2012 , pp. 437 - 459
Copyright
Copyright © Cambridge University Press 2012

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