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Construction of voice(s): A study on the popular music of Kerala

Published online by Cambridge University Press:  20 June 2025

Mazha S. Muhammed Open the ORCID record for Mazha S. Muhammed [Opens in a new window] ,
Sudipta Garai  and
Maya M
Mazha S. Muhammed
Affiliation:
Department of Sociology and Social Work, Christ University, Bangalore, India E-mails: mazha.muhammed@res.christuniversity.in; sudipta.garai@christuniversity.in; maya.m@christuniversity.in
Sudipta Garai
Affiliation:
Department of Sociology and Social Work, Christ University, Bangalore, India E-mails: mazha.muhammed@res.christuniversity.in; sudipta.garai@christuniversity.in; maya.m@christuniversity.in
Maya M
Affiliation:
Department of Sociology and Social Work, Christ University, Bangalore, India E-mails: mazha.muhammed@res.christuniversity.in; sudipta.garai@christuniversity.in; maya.m@christuniversity.in
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Abstract

The discourse of music reflects historical and cultural changes, interwoven with a multitude of social dynamics. Beyond lyrics, music—through voices and performance—conveys gender stereotypes, often legitimised through repetition. This article examines the construction of voice in Kerala’s popular music, tracing the evolution of the gender stereotyping of voice across three distinct phases: from the period of social dramas following the advent of film music to film music at the beginning of the 21st century. A discourse analysis approach is employed to explore how gendered vocal expressions are shaped and transmitted through popular music culture. Qualitative interviews with practitioners and music experts supplement the analysis, offering deeper insight into Kerala’s sonic landscape and the ways in which music participates in the cultural construction of gender.

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Popular Music , Volume 43 , Issue 4 , December 2024 , pp. 462 - 481
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© The Author(s), 2025. Published by Cambridge University Press

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Discography

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