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Blacksound: Making Race and Popular Music in the United States. By Matthew D. Morrison. Oakland: University of California Press, 2024. 304 pp. ISBN 9780520390591

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Blacksound: Making Race and Popular Music in the United States. By Matthew D. Morrison. Oakland: University of California Press, 2024. 304 pp. ISBN 9780520390591

Published online by Cambridge University Press:  20 June 2025

Isaac Milhofer Open the ORCID record for Isaac Milhofer [Opens in a new window]
Isaac Milhofer*
Affiliation:
Department of Music, The University of Manchester, Manchester, UK isaac.milhofer@manchester.ac.uk
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Review
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Popular Music , First View , pp. 1 - 3
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Copyright
© The Author(s), 2025. Published by Cambridge University Press

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References

Hartman, S. 1997. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (New York, Oxford University Press)Google Scholar
Lott, E. 1993. Love and Theft: Blackface Minstrelsy and the American Working Class (New York, Oxford University Press)Google Scholar
Morrison, M.D. 2019. ‘Race, blacksound, and the (re)making of musicological discourse’, Journal of the American Musicological Society, 72/3, pp. 781–82310.1525/jams.2019.72.3.781CrossRefGoogle Scholar