Hostname: page-component-cb9f654ff-p5m67 Total loading time: 0 Render date: 2025-08-19T05:45:26.324Z Has data issue: false hasContentIssue false
  • English
  • Français

Love, Fear, and Climate Change: Emotions in Drama and Performance

Published online by Cambridge University Press:  23 October 2020

Peta Tait
Get access Rights & Permissions [Opens in a new window]

Extract

If the survival of human and nonhuman animals depends on challenging beliefs about our species' exploitation of nature, it also depends on posthumanist perspectives that question more widely the ways in which humans perceive and inhabit the environment emotionally. I argue here that drama can make a valuable contribution not only to the process of interpreting emotions but also to raising awareness that emotional feelings have material efects. he capacity of drama and its performance to grapple with emotional responses to climate change and with broader scientiic knowledge seems particularly prescient.

Information

Type
Correspondents at Large
Information
PMLA , Volume 130 , Issue 5: Special Topic: Emotions , October 2015 , pp. 1501 - 1505
Copyright
Copyright © Modern Language Association of America, 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

Works Cited

Ahmed, Sara. The Cultural Politics of Emotion. New York: Routledge, 2004. Print.Google Scholar
Aristotle. “On the Art of Poetry.” Classical Literary Criticism. Trans. Dorsch, T. S. Harmondsworth: Penguin, 1987. 31–75. Print.Google Scholar
Chaudhuri, Una, and Enelow, Shonni. Research Theatre, Climate Change and the Ecocide Project. New York: Palgrave, 2014. Print.CrossRefGoogle Scholar
Chekhov, Anton. Three Sisters. Five Plays. Trans. Hingley, Ronald. Oxford: Oxford UP, 1991. 169–237. Print.Google Scholar
Churchill, Caryl. Love and Information. London: Hern, 2012. Print.CrossRefGoogle Scholar
Cless, Downing. Ecology and Environment in European Drama. London: Routledge, 2010. Print.CrossRefGoogle Scholar
Diderot, Denis. The Paradox of Acting. New York: Hill, 1957. Print.Google Scholar
Ekman, Paul, and Davidson, Richard J., eds. The Nature of Emotion: Fundamental Questions. New York: Oxford UP, 1994. Print.Google Scholar
Goodall, Jane. Hope for Animals and Their World. London: Icon, 2010. Print.Google Scholar
Gregg, Melissa, and Seigworth, Gregory, eds. The Affect Theory Reader. Durham: Duke UP, 2010. Print.CrossRefGoogle Scholar
Hurley, Erin. Theatre and Feeling. Basingstoke: Palgrave, 2010. Print.CrossRefGoogle Scholar
Konijn, Elly. Acting Emotions. Amsterdam: Amsterdam UP, 2000. Print.CrossRefGoogle Scholar
Kramer, Karl. “Three Sisters; or, Taking a Chance on Love.” Chekhov's Great Plays. Ed. Barricelli, Jean-Pierre. New York: New York UP, 1981. 61–75. Print.Google Scholar
Kritzer, Amelia Howe. The Plays of Caryl Churchill. Basingstoke: Palgrave, 1991. Print.CrossRefGoogle Scholar
Lehmann, Hans-Thies. Postdramatic Theatre. Trans. Jürs-Munby, Karen. London: Routledge, 2006. Print.CrossRefGoogle Scholar
Lutz, Catherine. Unnatural Emotions. Chicago: U of Chicago P, 1988. Print.CrossRefGoogle Scholar
Parkinson, Brian, Fischer, Agneta H., and Manstead, Antony S. R. Emotion in Social Relations. New York: Psychology, 2005. Print.CrossRefGoogle Scholar
Plantinga, Carl. “Art Moods and Human Moods in Narrative Cinema.” New Literary History 43.3 (2012): 455–75. Project Muse. Web. 23 July 2013.Google Scholar
Rabillard, Sheila. “On Caryl Churchill's Ecological Drama.” The Cambridge Companion to Caryl Churchill. Ed. Aston, Elaine and Diamond, Elin. Cambridge: Cambridge UP, 2009. 88–104. Print.CrossRefGoogle Scholar
Roach, Joseph. The Player's Passion. Newark: U of Delaware P, 1985. Print.Google Scholar
Tait, Peta. Performing Emotions: Gender, Bodies, Spaces. Aldershot: Ashgate, 2002. Print.Google Scholar
Tomkins, Silvan. Shame and Its Sisters. Ed. Sedgwick, Eve Kosofsky and Frank, Adam. Durham: Duke UP, 1995. Print.Google Scholar
Tufts, Carol Strongin. “Prisoners of Their Plots: Literary Allusion and the Satiric Drama of Self-Consciousness in Chekhov's Three Sisters.” Modern Drama 32.4 (1989): 485–501. Print.Google Scholar
Williams, Simon J. Emotion and Social Theory. London: Sage, 2001. Print.Google Scholar