Hostname: page-component-54dcc4c588-dbm8p Total loading time: 0 Render date: 2025-10-11T03:46:12.051Z Has data issue: false hasContentIssue false
  • English
  • Français

Pigment Analysis of Two Thai Banner Paintings

Published online by Cambridge University Press:  01 February 2011

Jennifer Giaccai
Jennifer Giaccai*
Affiliation:
jgiaccai@thewalters.org, Walters Art Museum, Conservation Division, 600 North Charles Street, Baltimore, MD, 21201, United States
Get access

Abstract

The pigments used in two Thai banner paintings (phra bot) were examined using X-ray fluorescence (XRF), Fourier transform infrared microscopy (FTIR) and polarized light microscopy (PLM). The two paintings examined dated from the late 18th and the late 19th century. The paintings examined follow the trends observed on Thai wall paintings and manuscripts from the same time periods. Pigments identified include vermilion, iron oxide earths, red lead, lead white (hydrocerrusite), calcium carbonate, kaolin, Prussian blue, gamboge, artificial ultramarine, copper citrate and a copper-arsenic green.

Keywords

artx-ray fluorescenceinfrared (IR) spectroscopy

Information

Type
Research Article
Information
MRS Online Proceedings Library (OPL) , Volume 1047: Symposium Y – Materials Issues in Art and Archaeology VIII , 2007 , 1047-Y06-05
Copyright
Copyright © Materials Research Society 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

1. Prasartset, Chompunut, Journal of the National Research Council of Thailand 22 (1), 73 (1990).Google Scholar
2. Prasartset, Chompunut, “Materials and Techniques of Thai Wall Paintings: A Comparative Study of Late 19th Century Murals and Early-period Murals”, in 11th Triennial Meeting, Edinburgh, Scotland, 1-6 September, 1996: Preprints (ICOM Committee for Conservation), edited by Bridgland, Janet (James & James (Science Publishers) Ltd., London, 1996), pp. 430.Google Scholar
3. Burgio, Lucia, Clark, Robin J. H., and Gibbs, Peter J., Journal of Raman Spectroscopy 30, 181 (1999).Google Scholar
4. Eremin, Katherine, Stenger, Jens, Huang, Jo Fan, Aspuru-Guzik, Alan, Betley, Theodore, Vogt, Leslie, Kassal, Ivan, Speakman, Scott, and Khandekar, Narayan, Journal of Raman Spectroscopy, in press (2007).Google Scholar
5. Fiedler, Inge and Bayard, Michael A., “Emerald green and Scheele's green”, in Artists' Pigments: A Handbook of Their History and Characteristics. Volume 3, edited by FitzHugh, Elisabeth West (National Gallery of Art, Washington, DC, 1997), pp. 219.Google Scholar
6. Wise, David and Wise, Andrea, “Observations on Nineteenth-Century Chinese Pigments with Special Reference to Copper Greens”, in IPC Conference Papers London 1997, edited by Eagan, Jane (Institute of Paper Conservation, London, 1997), pp. 125.Google Scholar
7. Berrie, Barbara H., “Prussian Blue”, in Artists' Pigments: A Handbook of Their History and Characteristics, edited by FitzHugh, Elisabeth West (National Gallery of Art, Washington DC, 1997), Vol. III, pp. 191.Google Scholar
8. Pritchard, Earl H., Journal of the Economic and Social History of the Orient 1 (1), 108 (1957).Google Scholar
9. Nandadeva, B. D., “Recent Studies on Sri Lankan Mural Painting Technology”, in Scientific Research in the Field of Asian Art: Proceedings of the First Forbes Symposium at the Freer Gallery of Art, edited by Jett, Paul, Douglas, Janet G., McCarthy, Blythe et al. (Archetype Publications Ltd., London, 2003), pp. 170.Google Scholar
10. Plesters, Joyce, “Ultramarine Blue, Natural and Artificial”, in Artists' Pigments: A Handbook of Their History and Characteristics, edited by Roy, Ashok (National Gallery of Art, Washington DC, 1993), Vol. II, pp. 37.Google Scholar
11. Barton, Gerry and Weik, Sabine, Restauro: Zeitschrift für Kunsttechniken, Restaurierung und Museumsfragen 104 (5), 320 (1998); Nancy Odegaard and Matthew Crawford, “Laundry bluing as a colorant in ethnographic objects”, in 11th triennial meeting, Edinburgh, Scotland, 1-6 September, 1996: preprints (ICOM Committee for Conservation), edited by Janet Bridgland (James & James (Science Publishers) Ltd., London, 1996), pp. 634.Google Scholar
12. FitzHugh, Elisabeth West, Ars Orientalis 11, 27 (1979).Google Scholar
13. Eremin, Katherine (private communication).Google Scholar