Dedication

pp v-vi

Contents

pp vii-viii

List of Illustrations

pp ix-x

Preface

pp xi-xvi

Acknowledgments

pp xvii-xviii

Introduction - Humanizing the Musical Savage: Orientalism and Racism in the History of British Ethnomusicology

pp 1-14

Part One - Early Anthropological Influences

pp 15-16

Chapter One - Cultural Anthropology from the Late Eighteenth Century to the 1850s

pp 17-24

Chapter Two - The Interplay of Anthropology and Music: Nineteenth-Century Travel Literature

pp 25-47

Chapter Three - Music in the Literature of Anthropology from the 1780s to the 1860s

pp 48-68

Part Two - Musicology in Transition to Evolution

pp 69-70

Chapter Four - Cultural Anthropology after Darwin

pp 71-77

Chapter Five - From Travel Literature to Academic Writing: Anthropology in the Musical Press from the 1830s to the 1930s

pp 78-94

Chapter Six - Non-Western Music in General Music Histories: Progression toward Evolution

pp 95-113

Chapter Seven - Histories of National Music (1): Henry Chorley and the Anthropological Background

pp 114-128

Chapter Eight - Histories of National Music (2): Carl Engel and the Influence of Tylor

pp 129-144

Chapter Nine - Overcoming Spencer: Late-Century Theories of the Origin of Music

pp 145-156

Part Three - Individualism and the Influence of Evolution: Charles Samuel Myers and the Role of Psychology

pp 157-158

Chapter Ten - Charles Samuel Myers and the General Movement toward Individualism

pp 159-176

Chapter Eleven - From Individualism to Individual Differences

pp 177-195

Chapter Twelve - The Psychological Writings and the Place of Evolution and Individual Differences

pp 196-217

Chapter Thirteen - Myers’s Ethnomusicological Writings

pp 218-246

Part Four - Retaining Cultural Identity: A. H. Fox Strangways and the Problems of Transcription

pp 247-248

Chapter Fourteen - Transcription and the Problems of Translating Musical Culture

pp 249-260

Chapter Fifteen - A. H. Fox Strangways and Attitudes Toward Song Translation

pp 261-276

Chapter Sixteen - Fox Strangways and The Music of Hindostan

pp 277-290

Epilogue - The “Ethnomusicology” in Long Nineteenth-Century Representations of Non-Western Music

pp 291-302

Works Cited

pp 303-332

Index

pp 333-344