Korean Cinema in Global Contexts: Post-Colonial Phantom, Blockbuster and Trans-Cinema

Soyoung Kim

doi:10.1017/9789048553112

Korean Cinema in Global Contexts

Post-Colonial Phantom, Blockbuster and Trans-Cinema

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Soyoung Kim

Publisher:: Amsterdam University Press
Online publication date:: November 2022
Print publication year:: 2022
Online ISBN:: 9789048553112
DOI:: https://doi.org/10.1017/9789048553112

Subjects:: Sociology of Gender, Sociology
Series:: Critical Asian Cinemas

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Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. It is attentive to an enmeshment of the cinematic, aesthetics, politics and cultural history.

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Korean Cinema in Global Contexts

Post-Colonial Phantom, Blockbuster and Trans-Cinema

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Frontmatter
pp 1-4

Table of Contents
pp 5-6

Acknowledgements
pp 7-10

Introduction
pp 11-22

Part 1 - From Pre-Cinematic Culture to Trans-Cinema
pp 23-24

1 - Cartography of Catastrophe : Precolonial Surveys, Postcolonial Vampires and the Plight of Korean Modernity
pp 25-42

2 - The State of Fantasy in Emergency: Fantasmatic Others in South Korean Film
pp 43-58

3 - Modernity in Suspense: The Logic of Fetishism in Korean Cinema
pp 59-78

4 - “Do Not Include Me in Your ‘Us’” : Peppermint Candy and the Politics of Difference
pp 79-96

5 - “Cine-mania” or Cinephilia: Film Festivals and the Identity Question
pp 97-112

6 - The Birth of the Local Feminist Sphere in the Global Era : Yeoseongjang and “Trans-Cinema”
pp 113-134

Part 2 - Korean Cinema in a Trans-Asia Framework
pp 135-136

7 - Inter-Asia Comparative Framework : Postcolonial Film Historiography in Taiwan and South Korea
pp 137-158

8 - Postcolonial Genre as Contact Zone: Hwalkuk and Action Cinema
pp 159-174

9 - Geopolitical Fantasy : Continental (Manchurian) Action Movies during the Cold War Era
pp 175-188

10 - Anagram of Inter-Asian Korean Film: The Case of My Sassy Girl
pp 189-194

11 - Comparative Film Studies : Detour, Demon of Comparison and Dislocative Fantasy
pp 195-210

Index
pp 211-212

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Korean Cinema in Global Contexts

Post-Colonial Phantom, Blockbuster and Trans-Cinema

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