Contents

pp v-vi

Acknowledgments

pp vii-viii

Note to the Reader

pp ix-x

List of Abbreviations

pp xi-xiv

Introduction: Berlioz in the Aftermath of the Bicentenary

pp 1-8

Part One - Aesthetic Issues

pp 9-10

Chapter One - The Music in the Music of Berlioz

pp 11-25

Chapter Two - “Artistic Religiosity”: Berlioz Between the Te Deum and L’Enfance du Christ

pp 26-44

Part Two - In Fiction and Fact

pp 45-46

Chapter Three - Euphonia and the Utopia of the Orchestra as Society

pp 47-63

Chapter Four - Berlioz and the Mezzo-Soprano

pp 64-86

Part Three - Criticizing and Criticized

pp 87-88

Chapter Five - Berlioz as Composer-Critic

pp 89-100

Chapter Six - “A Certain Hector Berlioz”: News in Germany about Berlioz in France

pp 101-122

Part Four - The “Dramatic Symphony”

pp 123-124

Chapter Seven - Berlioz’s Lost Roméo et Juliette

pp 125-137

Chapter Eight - Beethoven, Shakespeare, and Berlioz’s Scène d’amour

pp 138-160

Part Five - In Foreign Lands

pp 161-162

Chapter Nine - Germany at First

pp 163-173

Chapter Ten - England and Berlioz

pp 174-198

Part Six - An Artist’s Life

pp 199-200

Chapter Eleven - Berlioz Writing the Life of Berlioz

pp 201-220

Chapter Twelve - Berlioz: Autobiography, Biography

pp 221-234

Contributors

pp 235-238

Index

pp 239-248

Eastman Studies in Music

pp 249-251

Miscellaneous Endmatter

pp 252-253