Book contents
- Wall Painting, Civic Ceremony, and Sacred Space in Early Renaissance Italy
- Wall Painting, Civic Ceremony, and Sacred Space in Early Renaissance Italy
- Copyright page
- Contents
- Acknowledgments
- Introduction
- Chapter One “Larger, More Ornate, and More Seemly”
- Chapter Two “A Most Devout Place”
- Chapter Three “Most Holy and Unique in the World”
- Chapter Four Rome in Spoleto
- Conclusion
- Book part
- Bibliography
- Index
Chapter Four - Rome in Spoleto
Bishop Berardo Eroli, Fra Filippo Lippi, and the Coronation of the Virgin Murals in the Duomo of Spoleto
Published online by Cambridge University Press: 19 September 2025
Book contents
- Wall Painting, Civic Ceremony, and Sacred Space in Early Renaissance Italy
- Wall Painting, Civic Ceremony, and Sacred Space in Early Renaissance Italy
- Copyright page
- Contents
- Acknowledgments
- Introduction
- Chapter One “Larger, More Ornate, and More Seemly”
- Chapter Two “A Most Devout Place”
- Chapter Three “Most Holy and Unique in the World”
- Chapter Four Rome in Spoleto
- Conclusion
- Book part
- Bibliography
- Index
Summary
Chapter 4 pivots to Umbria, where Fra Filippo Lippi painted the apse decoration in the cathedral of Spoleto between 1466 and 1469. Here again, primary and secondary sources reveal the ceremonies that took place in the cathedral and highlight the relationship of the apse paintings and the venerated Madonna icon of the cathedral. The bishop of Spoleto, Berardo Eroli, played a leading role in the commission, which is set in the context of his art patronage in Umbria and Rome. From the copious documentation for the Spoleto project – here published in full for the first time – emerges evidence that Eroli conceived the Coronation murals as a magnificent setting for the Madonna icon of the cathedral and its display on holy days, especially the feast of the Virgin’s Assumption, August 15. In his vision and his active involvement in the project during its execution, Eroli sought to link the Spoleto Duomo visually and liturgically with the venerable basilica of Santa Maria Maggiore in Rome.
Information
- Type
- Chapter
- Information
- Publisher: Cambridge University PressPrint publication year: 2025
Accessibility standard: WCAG 2.2 AAA
The PDF of this book
complies with version 2.2 of the
Web Content Accessibility Guidelines
(WCAG), offering more comprehensive accessibility measures for a broad range
of users and attains the highest
(AAA)
level of WCAG compliance, optimising the user experience by meeting the most extensive
accessibility guidelines.
Content Navigation
Table of contents navigation
Allows you to navigate directly to chapters, sections, or non‐text items through a linked table of contents, reducing the need for extensive scrolling.
Allows you to navigate directly to chapters, sections, or non‐text items through a linked table of contents, reducing the need for extensive scrolling.
Index navigation
Provides an interactive index, letting you go straight to where a term or subject appears in the text without manual searching.
Provides an interactive index, letting you go straight to where a term or subject appears in the text without manual searching.
Reading Order & Textual Equivalents
Single logical reading order
You will encounter all content (including footnotes, captions, etc.) in a clear, sequential flow, making it easier to follow with assistive tools like screen readers.
You will encounter all content (including footnotes, captions, etc.) in a clear, sequential flow, making it easier to follow with assistive tools like screen readers.
Short alternative textual descriptions
You get concise descriptions (for images, charts, or media clips), ensuring you do not miss crucial information when visual or audio elements are not accessible.
You get concise descriptions (for images, charts, or media clips), ensuring you do not miss crucial information when visual or audio elements are not accessible.
Full alternative textual descriptions
You get more than just short alt text: you have comprehensive text equivalents, transcripts, captions, or audio descriptions for substantial non‐text content, which is especially helpful for complex visuals or multimedia.
You get more than just short alt text: you have comprehensive text equivalents, transcripts, captions, or audio descriptions for substantial non‐text content, which is especially helpful for complex visuals or multimedia.
Visual Accessibility
Use of colour is not sole means of conveying information
You will still understand key ideas or prompts without relying solely on colour, which is especially helpful if you have colour vision deficiencies.
You will still understand key ideas or prompts without relying solely on colour, which is especially helpful if you have colour vision deficiencies.
Use of high contrast between text and background colour
You benefit from high‐contrast text, which improves legibility if you have low vision or if you are reading in less‐than‐ideal lighting conditions.
You benefit from high‐contrast text, which improves legibility if you have low vision or if you are reading in less‐than‐ideal lighting conditions.